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Magic Secrets Folding Paper Center Tear

2010-09-23T15:11:00.001+07:00

Description: Center Tear can be translated as "Middle Cutouts", one of the basic mentalism trick in the book "Corinda, 13 Steps to Mentalism". This trick is very useful to "read minds" whatever is written by a spectator. Can be a number, name, place name, even pictures.

Enjoy the Magic Secrets Folding Paper Center Tear:

Procedure:

The core of the method "Center Tear" is "stealing pieces of the middle", and a peek at pieces of paper are the volunteers.

1. Create a line in the middle of the paper.

2. Ask the volunteers to write something he was thinking, just above the line you created.

3. Instruct the volunteers to fold the card into 4 equal parts by:
Fold vertically:

Fold the bottom up, horizontal:

4. The next step you should do is tear the paper, except in the writings contained the spectator.

5. Torn into several pieces, until the remaining middle section, where the volunteers to write something thought (hereinafter we call the "X").

6. Put another tear in the rear section X. Open the horizontal section folds X with your right thumb.

7. Extend your right hand to ask the volunteers to give his hand to you. While doing this, use the left thumb to open the fold "part X". In this position, you can see something written by the volunteers. Remember all right.

8. Scratch all parts (including the X), and pour into the hands of volunteers. Use your favorite method of expressing things which are written the volunteers (As if reading his mind, burn the paper with fire, etc.).

Tips: It would be more convincing if the time ripping the paper, you look away from the paper.

How to Make Signature Move Card Magic Secret

2010-08-21T13:52:00.000+07:00

How to Make Signature Move Card Magic Secret

This trick ever played by Demian a great illusionis in Indonesia. I've seen in a magic show event in one television station. Very impressive, maybe this trick as a way to move signatures from card to card.

Effect: Magician invites two people volunteer to play, a volunteer in order choose the card and sign the card in his back. Then the other volunteers in order select the card and sign in front of the card. Miraculously, the first signature of volunteers who moved to the card at select by volunteers into two.

Preparation:
1. A pack of cards
2. Markers

Procedure Games:
1. Invite two volunteers to play tricks with you, send a volunteer to shuffle the cards indicate that there is no engineering.
2. Have volunteers choose free card, or we can ask the volunteers what card you like most?. Eg volunteers chose Jack Hearts card.
3. Put the card in the pile of Jack's heart with the position of the top cards facing up. Then do the double lift technique. Double elevator is to take two cards from the pile one card deck but it looks only one card that was taken.
4. Have volunteers sign the back of the card. Provide markers which we have prepared to sign the card. Automatic card is a card that was signed under Jack's heart.

5. Make a double lift technique again. Jack's heart and put the cards on the table with the position of the card is facing upwards. Leave the cards on the table and Jack Hearts volunteers may not take the Hearts Jack card.
6. Now turn to choose a volunteer to two cards. For example a card that position under Jack's heart is the 10 hearts. These cards should be in forcing, we forced the volunteers to pick 10 card Exercise.
7. Cards 10 Heart of the top position now, do the cutting so that there are two parts of the pile of cards. The trick is for one card deck into two piles, 10 card Exercise hold with the thumb and the other four fingers left hand holding the bottom of the pile of cards. Give limit (break) deck of cards with the ring finger and then drop the gift one - pesatu and send volunteers say stop anywhere. When the volunteers said automatic stop 10 card Exercise last fall and that's most preferred card is the second volunteer.

Note: The angle of view is shown by the arrows audience.
8. Take Heart 10 card and place it on top of the stack position. Make a double lift technique, aims to convince the volunteers that 10 card backs clean heart still no signature.
9. Make a double lift technique again. Then send a second volunteer signed a card face 10 Hearts, 10 Hearts then put the cards on the table.

10. Take Heart Jack card, then grasp with your right hand, rubbing - card pads though - will we take the signature. Then take 10 card Exercise, give effect to the right hand soalah - if it had already put a signature card that was taken from Jack's heart. Turn into the second card. So 10 cards there are two signatures His heart is in front and in back of the card while the card is Jack's heart there is no signature.

Magic Trick with Soap│ Sulap Dengan Sabun

2010-07-02T08:25:00.000+07:00

Effect: you can predict the numbers with a combined two predictions that did not look and kidding person by making him realize that he got kidding ... ... ... .... .... .... .... .... .... .... ....?

Preparation Magic Trick with Soap│ Sulap Dengan Sabun :
   1. A fruit cup filled with water.
   2. envelope prediction of 852 (written on white paper using lime juice let it dry)
   3. scratched bars of soap in the bathroom a little wet with the number 849 on hand
   4. matches
   5. 9 pieces of paper with figures collated by the sequence numbers TSB
      2, 5, 8, 4, 6, 9, 1, 3 7 2 stacks in the order above and beyond
   6. a candle wicks soaked with thinner section
   7. alcohol liquid placed on a container.
   8. white board
   9. markers

Games:

   1. katakana magician in the audience "who does not believe in the magic show of hands!" if it is calling you to rise above the stage, (let's call it the A Say that again "I will make you believe in magic",,
   2. show and tell on A that you have a glass a touch of bias fly tampa, Person A will not believe it, say we'll prove it. His command of the A to shew his hand on the table masing2 two fingers of one hand middle finger index finger Dann.
   3. TSB put a glass of water over the hands of Person A, Person A must be confused.
   4. Person A will not be biased to move freely
   5. Say "you're not you believe that magic exists"
   6. else says switch kepenonton who believe there is true magic and believe in magic?? "take three people. (Ignore the first child A)
   7. more politely let's assume first acquaintance with whom B, C and D ...
   8. say you have nine pieces of paper with random numbers, shown in the audience (not to order separately) also show your prediction envelope
   9. share figures to the BC and D respectively three pieces, how to divide the fruit straight out of B 3, C 3 fruits, and D are also three pieces .. from the top (of angka2 earlier and so on.
10. Instruct the first person to issue a single digit number that exist among the three, ordered the same thing to the second and third examples, the first issue number five, the second man took out the number 4, and a third man took out the number one, so the figures obtained 541, then write that number on the board who have been provided.
11. Write the numbers who have entertained audiences remaining in this case, 893, and write on the blackboard under the number 267.
12. Then total the numbers on the board imaginable. 541 + 267 + 893 = 1701
13. load prediction
14. your audience will menyorakin,, then katakana .. "My prediction munkin ashamed to come out, I forced him to quit akn,,
15. take candle wicks soaked with earlier tiner
16. katakana in the audience "I'll dip my hand into kerosene (liquid alcohol earlier), dip your hands in the not too pretty on the border of the nail only, then burn your hands, do it quickly to turn the last candle. (Will not burn your hands, palingan little hot during the liquid alcohol is still there, if it feels hot it would blow out why.)
17. take the paper as if to say the prediction while the paper put a spell on the fire prediction, not to burn give a distance of about 3 cm.
18. then the writing would appear that 852
19. show to the audience.
20. turns out your prediction was wrong.
21. leave your audience with an error to expression
22. katakana I will not give up ..
23. write that number on the blackboard and paper baker earlier predictions, the audience will be more surprised, rubbed ashes in his hands already in figure was 849 ...
24. said excitedly as he put your hand under the number 852 was ... "852 + 849 is 1701 ,,,,, this is his prediction was true ....
25. receive applause from the audience
26. please B, C and D return to the place ...
27. Person A must be feeling tired, smiling and you said "still do not believe in magic?"
28. lift the glass on his hand,
29. while shaking hands you said "congratulations you got work me, if you do not believe in magic you will not want to go on stage."
30. the audience would smile and give applause to you.

Meaning: in every magic show there must be one who does not believe in magic and there is a belief that magic to play tricks on the audience will be more confident prediction magic karma completely empty, everyone will believe in us (magician).

Good luck

Impromptu Magic Card Trick│Sulap Spontan

2010-06-19T20:09:00.000+07:00

Effect :
A Agenda is called by a beholder and placed aback on top of the pack.
The backpack of cards is again cut several times and handed aback to the magician.
A accumulation of cards aback abatement off the backpack abrogation the archimage captivation the assemblage card.
Method :
When the agenda is called the agenda on the basal of the backpack is coiled by the magicians pinky.
The assemblage agenda is again placed on the top of the backpack and the backpack is cut.
This now agency that the assemblage agenda is beneath the coiled card.
The backpack of cards can be anesthetized about the allowance to be cut several times and the assemblage agenda will consistently be beneath the coiled card.
The backpack is again handed aback to the archimage who agilely puts his deride beneath the coiled card, actualization to be clumsy and allows the cards aloft his deride to abatement on the floor. The agenda beneath his deride will be the spectators.
The archimage can additionally acquiesce the blow of the cards to abatement abrogation alone the assemblage agenda in his hand.
This agenda ambush looks amazing because the admirers has apparent that the archimage has not had a lot of acquaintance with the backpack and the accomplished accepted has been absolutely impromptu.

Title: Impromptu Magic Card Trick│Sulap Spontan

Magic Trick│How to Make Hole in My Pocket

2010-05-29T14:09:00.000+07:00

The Effect: Borrow a bread and accept it marked. You say that you are consistently accident money through a aperture in your abridged and again you bead the apparent bread into your pocket. "What's weird", you say, "is that the aperture isn't in this abridged (the one in which you alone the coin), but in this one!" You lift up your added bottom and the adopted apparent bread is there!
The Method: You charge an added coin. (Well, how did you anticipate it was done?) Most bodies accept a division on them, so let's say you appetite to borrow a quarter. On an "off moment", secretly abode the added division beneath your larboard foot. (I sometimes acclimatize my socks and stick it beneath the shoe.) Accept addition accommodation you a division and ask them to mark it in some abnormal way with a pen.
Take the division and aloof bead it into your appropriate trouser pocket. Shake your leg as if you are afraid the bread into the aperture and bottomward your leg. Again say, "What's awe-inspiring is that the aperture isn't in this abridged (the one in which you alone the coin), but in this one!" You lift up your added bottom and the adopted bread is there!
Then - and here's area you've gotta accept audacity - aces up the bread with your appropriate duke and abode it (don't bead it!) into the appropriate trouser abridged as you aces up the added bread with the aforementioned hand. (Just about-face them.) With your duke still in the pocket, attending abashed and say, "I'm sorry, did you accommodate me this or was it mine?" He'll acquaint you it was his and you'll acknowledgment his bread (the apparent one). He'll, of course, audit the bread for the mark. It's gutsy, but it works.

Tags: Magic Trick│How to Make Hole in My Pocket

Magic Trick│A Glass Card Trick

2010-05-23T06:53:00.000+07:00

Trick Courtesy of Brian Reaves
Original Author Unknown
The archimage takes a long-stemmed bottle and announces that he's activity to accomplish a agenda trick. The amazing affair about this agenda ambush is that he wont be able to blow the cards, because they'll be central the bottle the accomplished time!
Placing the pack, face out in the glass, the archimage states that he's activity to acquisition all four aces application appropriate " Locator Cards ". He alcove into the bottle and pulls out a red cardinal agenda ( we'll use the Ten of Hearts for the archetype ) and puts it in advanced of the blow of the cards in the accouter so that the ten of hearts is the agenda the beholder now sees attractive at them through the glass.
The archimage afresh states that he will let that red 10 acquisition a red ace . Holding the bottle by the stem, the archimage passes a bolt napkin over the glass, quickly. When the napkin has completed it's quick pass, the red 10 has been replaced by a red ace ! The archimage afresh takes the red ace and puts it in aback of the accouter and passes the napkin again.
This time, the red 10 is replaced by the added red ace ! Now the archimage gets a atramentous cardinal agenda (say, 6 of spades) for the " Locator " and puts it in advanced of the red 10. A quick napkin pass, and there's a atramentous ace!
The archimage takes the ace and puts it in aback of the deck. Another pass, and there's the aftermost atramentous ace! Now cull out the backpack and put it aback in the case, animated as you booty your bow. All of this abracadabra occurs in the glass, so there's allegedly no way that you could've manipulated the cards! People will abatement bottomward at your anxiety and adoration your absurd abilities

Method:
A slight bulk of alertness assignment is required, but this is account it. First, acquisition a wine or any added long-stemmed bottle that will acquiesce you to set at atomic bisected a accouter of cards in it.
There can be no architecture on the bottle or stem!!! Next, booty the two red aces and cement them aback to back. Accomplish abiding you accomplish them attending as abundant like one agenda as possible!
Do the aforementioned with the two atramentous aces. Now get two identical cardinal cards - one atramentous and one red - from an identical deck. Cement one red and one atramentous aback to back. Don't do this with the added ones. Finally, get a bolt napkin that is big abundant and aphotic abundant to absolutely awning the glass.
With this prep, you're set!
Set up the accouter like this: The atramentous 6 agenda face up on top of the face-down deck. Now, set the double-sided atramentous ace on top of it. Now abode the double-sided " red 10 /black 6" agenda with the red 10 face-up. Next, comes the double-sided red aces. And finally, the aftermost red 10 FACE DOWN on the face-down deck.
The blow is showmanship. Abode the accouter in the bottle with the basal agenda adverse your spectator. Announce that you're activity to do the ambush application a red locator agenda . Cull the red 10 off the top of the accouter and put it on the bottom, adverse the spectator. You should now be attractive at a red ace . Holding the bottle by the stem, you canyon the napkin over the bottle and circuit it about so that the ace is now adverse the spectator.
It helps if you authority the bottle with you fingers adamant and the axis in the aboriginal angle of your finger. When you circuit the glass, your deride does the assignment and your fingers attending appealing abundant the same. Now booty the ace and put it on top of the deck.
You should now be attractive at the added red ace . Accomplish the pass/spin again, and your beholder sees the added red ace . Now say that you charge a atramentous locator card. Booty the red/black agenda off the top with the 6 facing. When you get to the atramentous aces, if you stick the Ace of Spades on top so that it's the aboriginal ace you'll show, you can ask the beholder to name a atramentous ace. Nine out of ten times, they'll say the Ace of Spades!
You afresh accomplish it arise for them. If they arise to acknowledgment the Ace of Clubs, aloof say "So that leaves the Ace of Spades," and accomplish it appear

Tags: Magic Trick│A Glass Card Trick

Magic Trick│Psychic Telekinetic Card Bending

2010-05-15T17:22:00.000+07:00

A acceptable apparition area a agenda is apparent to bend, allegedly controlled by your bewitched powers.
You Will Need:
* A backpack of arena cards ( bargain cards sometimes assignment best)
* Glass of water
* To convenance your acting skills
Method:
This is a abundant ad-lib abracadabra ambush that can be performed at a moments apprehension and requires the minimum of backdrop .
While in a accumulation of accompany adequate some refreshments, accidentally rub some baptize on the aback of your hand. Then get your accompany absorption and advertise that you are activity to account a agenda to bend, alone by application your bewitched powers. ( This is area a fair bit of acting and blah! blah! comes in accessible to add ball amount to the stunt.)
Take a arena agenda and abode it on the aback of your duke ( the one that has secretly had baptize rubbed on it )
Gently columnist the card, collapsed assimilate your duke which should be captivated horizontally.
Next, abolish the added duke and arise to be apperception acutely and absorption your analytic admiral on the card. The agenda will be apparent to angle after any alternation or annihilation affecting it. This looks amazing and you can affirmation it has been angled by your bewitched energy.

This abracadabra ambush is added abundantly by your achievement and patter. The agenda will angle automatically as it absorbs some of the water, appropriately bargain cards are commonly added absorptive as they are commonly beneath laminated. The angle in the agenda can be added by acrimonious up the agenda lengthwise and anxiously binding it acclaim which makes the ambush added convincing.

Tags: Magic Trick│Psychic Telekinetic Card Bending

Magic Trick│Amazing Memory Trick

2010-05-13T07:04:00.000+07:00

Amazing agenda ambush area the admirers are abashed to see that the archimage appears to accept memorized the adjustment of a accomplished backpack of cards !!
Effect: A backpack of cards are confused and afresh you the magician, are apparent to bound advance the cards and arise to be abstraction the adjustment of the pack. The backpack is afresh captivated abaft your aback and afterwards some absorption the backpack is captivated out in advanced of your spectator, face up. You afresh name the agenda adverse them.
The backpack is afresh captivated abaft your aback afresh and afresh captivated out in advanced of your beholder area you afresh acquaint them the abutting agenda adverse them. This move can be afresh for as abounding cards as you wish, abrogation your admirers baffled as to how acceptable your anamnesis abilities are.
How It's Done: Using any accepted accouter of cards, drag the accouter and explain to your admirers that you were built-in with the amazing adeptness to acquire the adjustment of a complete accouter of cards. Afresh advance to analyze through the cards, face and and pretend to be apperception on the adjustment of the cards.
The backpack is afresh boxlike up ( use this move to bound get a glimpse of the basal agenda ) and captivated abaft your back. With the backpack still abaft your back, booty the basal agenda in the backpack and abode it face up at the top of the deck.
Now accompany the accouter annular the advanced and authority it out adverse your spectator. The agenda they see will be the basal agenda that you ahead glimpsed at ( with the accouter captivated out in advanced of them accidentally glance at the agenda you see adverse you, as this will be the abutting agenda presented to your mark )
Bring the accouter abaft you afresh and abode the basal agenda face up on top of the deck. The backpack is afresh captivated out in advanced of the beholder and the agenda that they see is named. This move can be afresh for as abounding cards as you ambition although 10 to 20 is usually added than abundant for anybody to be in awe of your amazing ability.

Free Magic Trick │ Matching Sisters Card Trick

2010-05-10T17:33:00.001+07:00

Effect: The two atramentous queens acquisition the two red queens by actuality put into the accouter area the beholder advisedly wants to abode them.
The Trick: Start by putting one red queen on top of the face bottomward accouter and the added red queen at the basal both face down.
Next, accord the two atramentous queens to a spectator. Start ambidextrous cards off the top of the deck, laying them in a face bottomward accumulation on the table, until the beholder tells you to stop.
Have the beholder put the aboriginal atramentous queen, face up, assimilate the accumulation on the table (these are the cards you accept aloof counted face down) Then bead the butt of the accouter in your duke face bottomward assimilate the atramentous queen (so the alone agenda adverse up is the atramentous queen)
Next, echo the action above, accepting the beholder put in the added atramentous queen, face up, and bead the butt of the accouter on top of the added atramentous queen, afresh face down. Accept the beholder cut the deck, and complete the cut.
Now advertise that after any advice from you the beholder was able to acquisition the atramentous queens sisters. Simply go to the face up atramentous queens, booty them out, and the cards anon aloft anniversary will of advance be the red queens.
NOTES: You can actual calmly put the two red queens in abode while you acquisition the atramentous ones appropriate beneath their noses. As continued as you don't accomplish a big accord out of it no one will doubtable a thing.

Tags: Free Magic Trick │ Matching Sisters Card Trick, free magic trick learn, belajar sulap gratis, trik-trik sulap hebat, sulap dahsyat

The Magic Trick How to Impromptu Card Trick

2010-05-09T07:31:00.000+07:00

Effect The Magic Trick How to Impromptu Card Trick :
A Agenda is called by a beholder and placed aback on top of the pack.
The backpack of cards is again cut several times and handed aback to the magician.
A accumulation of cards aback abatement off the backpack abrogation the archimage captivation the assemblage card.
Method :
When the agenda is called the agenda on the basal of the backpack is coiled by the magicians pinky.
The assemblage agenda is again placed on the top of the backpack and the backpack is cut.
This now agency that the assemblage agenda is beneath the coiled card.
The backpack of cards can be anesthetized about the allowance to be cut several times and the assemblage agenda will consistently be beneath the coiled card.
The backpack is again handed aback to the archimage who agilely puts his deride beneath the coiled card, actualization to be clumsy and allows the cards aloft his deride to abatement on the floor. The agenda beneath his deride will be the spectators.
The archimage can additionally acquiesce the blow of the cards to abatement abrogation alone the assemblage agenda in his hand.
This agenda ambush looks amazing because the admirers has apparent that the archimage has not had a lot of acquaintance with the backpack and the accomplished accepted has been absolutely impromptu.

How to The Spelling Card Trick

2010-05-08T22:34:00.000+07:00

A actual able cocky alive ambush abstruse which is affirmed to addle your audience
Effect: The archimage shuffles the accouter and takes the top thirteen cards. Holding the cards face down, he gain to spell the aboriginal agenda name, Ace. "A C E," and for anniversary letter, he puts one agenda beneath the packet of thirteen cards. He again flips over the abutting agenda (the fourth,) and it is an Ace. He repeats this action for anniversary agenda number, Ace through King. At the end, he has all thirteen cards face up on the table, in consecutive order.

Preparation: First, booty out 13 cards from a deck, the cards do not accept to be the aforementioned suit, but you charge the thirteen cards from Ace to King. After you accept them out, abode them in this order, activate by agreement the three face-up on the table. On top of that, abode the eight. Then, abode the Seven, Ace, Queen, Six, Four, Two, Jack, King, Ten, Nine, and aftermost of all Five. And again put these on top of the accouter face down.

Performance: The ambush about works itself. To start, pretend to drag the cards, abrogation the top thirteen untouched. You can do some apocryphal shuffles, or you can do absolute shuffles but accumulate the top 13 cards on top. After you shuffle, you can fan through the deck, and appearance every card, for the pre-arranged 13 cards don't attending like they are abiding at all. Abolish the top thirteen cards as a accumulation and align them like a fan, so that your admirers can see their faces. Square up the cards, and authority them face down.
When you spell out anniversary card, do it as follows: let's say you're spelling the chat . Spell A, abolish the top agenda and abode it on the bottom. Again spell C, and abolish the top agenda and abode that on the bottom. Abutting spell E, abolish this top agenda and abode it on the bottom. Flip the new top agenda and appearance that it's an Ace, and abode it on the table.

Continue in this address until all the cards are face up on the table. (You spell the cards in order: Ace, 2, 3, 4, 5, 6, 7, 8, 9, 10, J, Q, K) Your admirers may apprehend that the cards charge accept been set up beforehand, but this alone adds to the abstruseness and you can amusement it as a addle for them to try to amount out to add to the mystery, don't use cards all of the aforementioned suit. A alloyed accumulation of apparel makes it assume beneath like a "stacked" deck.

Magic Trick Absolutely Amazing Wallet

2010-05-04T21:36:00.001+07:00

This time to predict your Trick Absolutely Amazing Wallet spectator's about best card! Let a beholder baddest a card. Open this beautifully crafted accomplished covering wallet and abolish a closed envelope. Inside the envelope is the card! Of course, there are abounding added furnishings you will be able to accomplish with this wallet. The wallet's hidden abstruse is the key to this abundantly beauteous but accessible effect- there is no palming or conjuration of duke necessary! Simple. Elegant. Amazing!

If You Don’t Like Your Facebook Friends, Blow Them Up with the Star Wars Death Star

2009-12-21T06:28:00.000+07:00

if you’re Adidas and you’ve got a Star Wars-inspired accumulating rolling out in January, what bigger way to advance it than by appliance amusing media? Adidas, however, has taken its online business action one footfall added amalgam Facebook and Google Maps to actualize the Star Wars Death Star Superlaser.
The Adidas Originals appliance uses Facebook Connect to personalize the appliance experience, alike acceding you ability over the Death Star ascendancy accouter so you can draft up your Facebook friends’ streets with advice from Google Maps.
The appliance acquaintance is beeline out of a Star Wars movie, and on the aboriginal go about you’ll apprehension that your area is the aboriginal ambition of the superlaser. After your artery is absolute to smithereens, however, you can ambition a friend’s area by selecting any one of your Facebook accompany to attack. This is area the Google Maps affiliation comes into play; you can alike accomplished tune the laser’s exact ambition appliance Artery View if you so desire.

Magic secret-ThumbThing Revealed

2009-11-01T17:23:00.000+07:00

How’s that for a paper cut?
The illusion is as perfect as it is impossible!
If you like new twists on old tricks, or if you just like tricks where body parts get cut off, this is for you!
Your thumb is stuck through a hole in two red cards which are stapled face to face.
A BLUE card is pushed between the RED cards.. and right through your thumb!

Secret:
You switch one part of your thumb with the thumb from the opposite hand. The picture shows the final positions of the thumbs on each hand. You have to practice placing your thumbs into this position. Also note the position of the first finger on the right hand. When you’re ready to perform the trick, you should be able to quickly position your hands in this manner. Note that these hand positions are used when you want to “separate” your left thumb. If you want to separate your right thumb, you must reverse the positions.

Magic Trick-FLOATING CARD TRICK

2009-10-25T09:24:00.000+07:00

For this ambush you are absolutely activity to charge to adapt a amalgamation to your body, in this case I accept the airy adaptable activity about this button here, I aloof accept it captivated around, and I accept it active to the aback of the agenda so that it is connected. And you are activity to appetite to abode this agenda on the basal of the pack, so that the cilia is at the top active to your button, and you aloof cast it over, and you are accessible to go.

What you are activity to do is it is a force, area you activity to force this agenda on them, you are activity to do article alleged a Hindu drag area you booty packets of cards off at the top and aback you do it absolutely fast it looks like you are ambiguity them, and aback they say stop, you are activity to appearance them that basal agenda the baron of hearts, and again you abode it bottomward on the deck, aback the accoutrement are still active from the aback to the button, you will again about-face it around, so now it is on top, and again you are activity to appear up beneath it, and again you are activity to angle the cilia that is active from the agenda to the button, you are activity to booty it and abode it amid your two fingers, as you appear up you are aloof activity to authority the accouter about and you are aloof activity to acquiesce it to accession over the accouter and that is the basal administration of it.

Magic Trick-SVENGALI DECK

2009-10-22T20:01:00.000+07:00

Today we are activity to break the mysteries of telekinesis. This is a telekinesis aftereffect you can do aback you accept a backpack of cards, they can drag the accouter as abundant as they want, aback you get it back, you aloof fan it out, they can baddest the card, say for archetype they booty this agenda and as they are assuming it about you about-face your back, they will appearance to everybody and you aloof acquaint them to put it aback on top of the deck, accord the accouter a cut and they can alike accord you addition cut if they want, and aback they accept that done, you about-face around, and you advance out the accouter and you ask them can you see your card, they will say yeah, you say we are activity to booty the spin, and set it here, and we are aloof activity to apply and see aloof accumulate concentrating, and the circuit is absolutely pointing to a agenda was the 9 of spades, your card, and they will say yeah.

Okay, this is the additional allotment of the account so back you advance the fan out, and back you apprehension the queen of hearts and you accept amid your card, you are activity to aces the beanery up and you are activity to appetite to put the handle into the bend of adaptable that you accept got, so that it is absolutely about the spoon, you are activity to appetite to set it over here, and you are activity to appetite to move appear the 3 of diamonds, like so, and it will stop in there, and you say it was 3 of chunk and of advance they will say yeah, and that is the way to locate the card.

Magic Trick-Color Changing Aces

2009-10-19T17:58:00.000+07:00

Effect:

The red aces magically about-face places with the atramentous aces. Remember - acceptable abracadabra is simple!!

Secret:
First, abolish all of the aces from the deck. Set the blow of the accouter to the side.
Show that there are four aces, and explain that two are red and two are black.
Ask a advance from the admirers accessible their hand.
Set up the aces black, red, black, red.
Do a bifold lift (this is area you aces up the top two cards from the accouter but authority them calm so that they attending like alone one card).
Show these two cards as a red ace. Set both cards bottomward on the packet and accelerate the top agenda off. Say "Red." as you abode this atramentous agenda into their ample palm.

Now accelerate the top agenda (red) to the larboard a little bit as you grab the basal two cards in your appropriate duke and appearance them as one. (Is this alleged a basal lift?) Set both cards aback bottomward on the packet and accelerate the top agenda off. Say "Red." as you abode this atramentous agenda into their palm.

Place the added two cards assimilate the table as you say "Black." abeyance "Black."
Now for the fun part. Do article bewitched to accomplish them anticipate that you are assuming some absolute magic. Wave your easily over the cards. Have them rub the cards on the table, or amid their palms.
Now ask the advance to cast the cards face up. Of advance they are black.
Say "If these are the atramentous cards, these charge be red." Cast over the red cards and bow to the applause. You've aloof performed the blush alteration aces!

Magic Trick-How To Roll a Coin Over Your Fingers

2009-10-09T20:42:00.000+07:00

If you absolutely appetite to affect people, rolling a bread over your fingers has got to be at the top of the list.
Not alone will it accomplish you attending cool, but it will accord you burning believability as addition who knows what they’re doing, alike afore you appearance them any added tricks!
Getting a bread to cycle calmly over your fingers will booty a lot of practice, but if you put in the accomplishment like I did, not alone will you acquire the rewards of aloof activity air-conditioned back accomplishing it, but bodies will additionally booty you added actively back you do your magic.
Extra Practicing Tips:
* Balance the bread on your deride for a few canicule to get to a aerial abundant akin of dexterity.
* Booty anniversary movement amid your fingers boring and if you blend up, do not worry, aloof alpha again.
* Use a beyond bread as it is easier to control.
* Back you can accomplish the sleight, alpha accretion the acceleration a little… but not too much. Over time the acceleration at which you can cycle the bread over your fingers will artlessly access in any case.
* Convenance this conjuration of duke on top of your bed, because you will bead the bread a lot at the beginning. Alike I still bead the bread sometimes, and I’ve performed it a fair few times now!

Card Bender

2009-09-06T06:37:00.000+07:00

Okay friend In this trick, you place a card flat on the back of your palm. Apparently using only the powers of your mind (look mom -- no hands!) you slowly cause the card to bend right before your audiences eyes.
This is a great close-up trick that requires no prep work.
So what is the secret to this trick? Spit. Before you place the card on top of your hand you need to moisten the back of your hand with a bit of saliva. I suggest pretending to wipe your nose with the back of your hand, covertly licking it in the process.

Tips: The warmth from your hand and the moisture causes the bend... this trick works best in warm, humid weather. Also the warmer your hand and saliva are the faster and more dramatic the bend will be.
Remember -- you are suppose to be using your "mind powers" or "telekineis" or some other BS to bend the card. Look like you are doing so, make some energy flow out of your hands, and use that premise to take breaks, lift the card up and show how it is bending. Do the nose wipe again if you need some more moisture or to blow warm breath onto your hand.
This explaination just covers the basics of how the trick works. You will need to produce your own patter.

2009-09-06T06:35:00.001+07:00

Ethic to learn magic

2009-08-22T20:23:00.000+07:00

1. Use your Magic Learn To Goodness

This is the basic foundation of any knowledge that you learned. Use the magic you have learned to entertain people, not to damage or destroy a show name of a good magician. Remember, learn a magic trick does not mean you are able to create a magic show on the stage. For me, the person who is able to show a magic show with quality far better than a thousand people who disassemble magic tricks.

2. Be responsible, Please ...

Sole answer to every trick that you play, every action that stage you have to do, and every word you say. Learn carefully plus-minus and the risk of (physical or non-physical) that you will get when a trick play. Secermat might do, so it does not have the audience feel dibodohi, disakiti heart, or feel offended by your magic shows. Remember, the purpose of displaying a magic show is to entertain audiences, not to show that you are the most powerful.

3. Berusahalah For Keeping Secret

If you intend to open the secret hocus-pocus you, first think about a thousand times. Will you open secret that a positive benefit for yourself or others? Do you really have to open the magic tricks that you play? During manage this blog, many questioned the integrity of me as a magician, a volunteer with the share magic tricks to the public. My goal is not to open this blog for the pleasure to play magic or search of the weakness of the magician. I have only one goal: Sharing knowledge with the magic lovers Indonesia.

4. Control your Up

Not only in the magic show, but also in speaking, comments, and holds. If you feel as a magician or magic lover, who control every word of mouth terucap when you commented about magic show, magic trick, or magician. Give praise aplaus or when you feel happy or consoled. Do not be too reluctant to give criticism if you find a case of less well in your heart. One thing must be remembered that in giving criticism: Make sure that your criticism is completely built, not just overflow emotional moment followed by a lot of words slur. If you want to control the minds of others, you should be able to control yourself first.

5. The mystery Hargailah Workers

However, the mystery of the workers have provided alternative entertainment for us. The magician, trickmaster, and those who move in behind it have made a sacrifice that is not small. If you can not afford them mengapresiasi, better still. Think about a thousand times if you want to throw in the mortification of the workers mystery. Are you better than them? Do you show a magic show of their quality? Did you do something more useful from the workers is the mysteries?

6. For the Magician who ever uncovered triknya, offended, or resentful ......

You happy, the mystery of the workers, who had insulted, triknya demolished, and disakiti heart with various comments that do not mengenakkan. That means you have to be "something" in the eyes of others. The higher the tree, the faster the wind menerpanya. If you are someone who is satisfied only silence in the house without trying to create, there would be no other people who want to make you throw the ropes.

All had experienced major pesulap this. Ranging from Harry Houdini, David Copperfield, David Blaine, Deddy Corbuzier, Romi Rafael, Joe Sandy, even as I blog Wikumagic author. The lock is only one: Stay work. Terbukti, magician, magician that I mentioned earlier still exist up to now, even melegenda. But what happens with people who degrade, humiliate, and menjelek-jelekkan? None heard gaungnya ...

Basically, if you really want to become workers or simply a mystery it magic; use reason and conscience in every matter that you do. Do not ever do things that conflict with reason and conscience you.

Prediction of 1089

2009-08-01T19:44:00.000+07:00

Oke friend Before you begin, you write the number 4 is 1089.
Engage and one spectator to play with you!
they only place where he sat!
Give secarik paper and a pen.
Or if you want to make it easier to use a calculator, so do not need pen and paper.
However, the use of pen and paper so that the audience is playing, his writings can be seen by all spectators.
Persilahkan spectators who choose to play the number 3!

>> Figures taken between the first 7-9.
>> Figures taken between the second 4-6.
>> Figures taken between the third 1-3.

Disecarik and write a paper, eg spectator write "753".
STEP 2 below and then follow this!

1. Ask to reverse the number and minimize it. (Examples "753" means to be reversed "357" and minimize it. 753-357 = 396)
2. Ask again to reverse the result of a reduction, and menjumlahkannnya. (Still using the number of spectators, so the above "396" then reversed to become "693", then dijumlahakan 396 +693 = 1089)
3. The result will be a spectator write disecarik paper.

Then you open the envelope and show that the same result.
This game is only using the formula above.
Regardless of the number of the selected audience as long as the above rules will surely result in 1089.
Unless the third number is larger than the first number, then you will fail.

Magic Trick Cross Cut Card Force

2009-07-04T05:17:00.000+07:00

Oke friend this is the magic trick for share about Cross Cut Card Force

Effect:

The magician (that's you!) writes a prediction. The spectator cuts to a card. The magician's prediction matches the card!

Or you can force any card onto the spectator and then use your imagination to create your own incredible ending!

Secret:

As you shuffle the deck, glimpse the bottom card. Set the deck down in front of the spectator. Write down the card you saw on the bottom as the prediction. Put it on the table far enough away from you so that no one will suspect that you switched predictions.

Tell the spectator to cut the deck in half. Have them set the top half next to the bottom half. Pick up the bottom half and place it on top of the top half, but rotated 90 degrees.

Say that you are "marking the cut."

Now here is the hardest part. Look at them in the eye and wait for eye contact. You must get them to look away from the deck so they forget which pile is which. Point to the prediction to remind them that you predicted they cut to a card.

Time is on your side. You need to pause for a few moments, just long enough that they'll forget which pile was which.

To show them the card that they cut to (not really but they will think it is) pick up the top half (previously the bottom half) and turn it face up.

Take a step back. Point to that card. Say, "Okay, you selected the three of diamonds." Now turn to the spectator and have them pick up the prediction... and of course it matches!

Once you learn how to force a card on someone, there are all kinds of things you can do with the prediction. Place the prediction in a fortune cookie! Write it on a dollar bill in small print and give it to your friend in advance as change from some money you owed him. Put the name of the card on your friend's screensaver. The magicial possibilities really are endless when you can predict the future like this - even if it is you just using a simple way to force a card.

Although this magic trick will work on adults, this is a perfect kids magic trick.

Spinning Coins

2009-06-30T07:14:00.001+07:00

Coin Magic Tricks:
Spinning Coins, writen again by Suja Danil
Oke friend his is the new magic trick for you ....
it's free

THE EFFECT: Two coins are borrowed and examined, the Magician then takes them and says the magic words! The Magician touches them together and they stick! Then with a puff of air or the slightest touch the lower coin begins to spin, still stuck to the upper coin!
The Magician then drops the coins into a spectator's hand and lets him or her examinethem or try to duplicate the trick. They can’t it’s impossible...unless they know the secret!

• One of the coolest street coin magic tricks
• Zero set up time - repeated immediately
• 1 minute to learn
• Perform surrounded at any angle
• For beginners or experienced magicians

THE SECRET: This is one of the coin magic tricks that require a special gimmick - a small magnet! If you have one laying around then great, if not the type you are going to need is preferably a Neodymium Magnet.
What the heck are Neodymium Magnets I hear you cry! well these are the most powerful magnets in the world. They are fantastically strong but small, making them perfect for coin magic tricks. And because they are so small you can hide them very easily!

So I bet these magnets cost a bomb then? actually no, you can buy them really cheaply on the net, try a good old Google search below. Stuck as to what size to get? I use 6mm dia x 3mm Neodymium Magnets. They are perfect for this trick and the Coin in Bottle Trick.

Got it? ... That was quick! ... If you experiment with it you should find it has great ‘attractive’ properties making it perfect for this and hundreds of other illusions, not just coin magic tricks! Right lets learn the method...

THE METHOD: Ask your spectator for either two 1p coins or two 2p coins, hand them out for examination if you wish.

Secretly conceal or ‘pinch‘ the tiny magnet between your forefinger and middle finger
of your left or right hand. (pic 1)

Relax your hand, even bend your fingers a little so it does not look staged. Position your other hand in a similar way and you will look quite natural.When the spectators have finished examining the coins take one back with the hand that is not hiding the magnet - bring it towards the concealed magnet hand and secretly let the Magnet attract, do this slowly as not to make a loud 'clink' sound(pic 2)

A little bit of talking or 'patter' for example: "let me build up the static electricity" etc.) should mask any small noise made.

Incidentally a bit of acting really can enhance this trick and any other. As well as giving a story it can help take the 'heat' off the real secret and point the spectators in a totally different direction.

For example rubbing the coin on a piece of clothing and saying "This may help with the static" gives the impression you are some how harnessing static electricity to perform the illusion. Of course you know that this is impossible and the only real way is with the magnet but thestatic electricity story gives the
trick credibility and a possible solution.
Basically you are leading the spectators 'down the garden path' away from the real secret, a magic red herring if you will. That's the beauty!

Once the magnet has attracted, hold the coin and magnet with your forefinger and thumb (pic 3). Because the magnet is so small you should be able to effectively hide it from view from any angle. If you have extremely small fingers and can’t hide the magnet very well simply show the coin from the other side, so the spectators can’t see the magnet!

Take the second coin off the spectator and place it below the first coin. You should find that the two coins will stick together because of the magnetism (main pic, top of page). Try not to have the magnet too close to the second coin or it may cause the second coin to jump right onto the magnet, off the corner of the coin. This may expose the secret!

With the two coins stuck together you can lightly touch the bottom coin or even blow it and it will spin looking very cool! Say something with a smile like "I love coin magic tricks, don't you?" Once you are finished drop the first coin into the spectators hand or onto a table, then drop the second coin secretly remove the magnet with your forefinger and thumb (pic 4).

The magnet can then be ‘palmed’ again, hidden as per the beginning of the trick ready to perform again when the spectators try and of course fail! Alternatively you can simply drop it into your pocket and end the trick clean. Do be careful not to lose the magnet though, they have a habit of sticking to most metal things laying around!

TIP: This trick works better ie. you get better magnetism the more copper or red coloured the coins, so try to pick those types of coins. You could for example ask the spectator to get out all their loose change then you can hand pick the more copper coloured ones, but making it look like a random selection. Time to have fun with this trick... :-)

SUBSCRIBER TIP: Here is a great tip from Neil one of my subscribers:
" Try doing it with the magnet on the side of
the coin, rather than on the face. You can keep the magnet hidden at fingertips, hold the coin more naturally, get the magnet at the correct distance from the bottom coin quickly and take the magnet off easier (and quieter) at the end."

Magic Trick Free String Them Along

2009-06-23T15:51:00.000+07:00

Oke friend i will give you some magic trick about String Them Along

Effect:

A piece of string is cut in half - two of the ends are crossed over one another and a borrowed ring is placed over the crossed ends. - The crossed ends with the ring are given to a spectator to hold in their clenched fist and when you (the magician) pull on the other ends of the string, it magically melts into one single piece of string again, - with the ring securely threaded on to it.

The Secret method:

1. You require a piece of string about 18" inches or so long. - It's best to use "Soft Butcher's Twine". You also require a pair of scissors to cut the string.

2. To prepare the string - you must separate the strands at the centre point and slowly pull them apart, so that a couple of inches of the string is separated. You will find that these two separated pieces will automatically twist themselves into sort of points, which look like two ends of the string. You can now twist these two projections properly and make them really look like the two crossed ends of the string.

3. Now you must stick the real ends of the string together with a touch of rope cement or similar adhesive or sewn together with a couple of stitches of white thread. You're now ready to go.

4. Show the audience the piece of string - holding it up so that the middle is ready to cut with the scissors and the prepared 'false end' are hanging down.

5. Now cut the string or have a member of the audience - cut the string at the centre (where you actually have stuck the ends together).

6. Now holding the False 'crossed ends' between your thumb and forefinger as if to keep the ends together - you ask to borrow a ladies ring - to show them a miracle!

7. Casually thread the ring up on to one end of one piece of the string and place it on top of the point where the ends (apparently) cross and ask the lady to held the ring and the two ends of the string tightly in her clenched fist. Making a point of ensuring that she is holding the ends tight enough, so that they won't slide out when you pull on the string.

8. You now simply take hold of the other ends of the string (one in each hand) and pull slowly. - The lady will feel a slight movement in her fist and you can ask her if she can feel something happening.

9. When you have pulled the string tight you ask the lady to slowly open her hand and magically the cut string is restored - the two ends have joined together in her hand and her ring is actually threaded on the string. - Magic!

RAHASIA SULAP BERJALAN DIATAS AIR

2009-06-23T09:11:00.000+07:00

Click here to see the secret video!

Oke friend i will give you some informaton about the magic trick of Criss Angel "RAHASIA SULAP BERJALAN DIATAS AIR". See every step, he always took the same distance.

This is because there is something under the feet.
That Plexiglass, the type of glass that is not visible if it is in the water.

In a swimming pool installed in dozens of plexiglass styled separately, and form lines, such as railway.
The distance between each plexiglass is the same, namely a few tens centi meters.

Dipegangnya a special camera that can detect the presence of plexiglass, so that he can use it to view any part in the plexiglass (which he will make the footing).

Women who appear to swim underneath it is a recording made before the actual show, and Chris hang from the top and quasi-running.
Of course the top of the body that is not shown.

The woman was a professional actress, Chris colleagues.
See how a woman is careful to avoid flexiglass.
And those who are in the swimming pool is also a charge of all figures.

Magic does not exist. Only tricks!
100% tricks, and no relation at all with the sciences and work magic with the devil

Teleportasi Card Magic

2009-06-23T08:35:00.000+07:00

1. Call a volunteer, he was ordered to check the card and mengocoknya.

2. Take two cards from the top of the heap, but it seems to make you take one card (called the technique "double lift": see picture). Ask the audience mentioned the value of the card (eg ringleted 2). Put the card back to the stack

Lift The Double-Side

The Double-Lift Home

3. For the card in the stack to the top before you in a closed position (eg, 9 hearts), but as a volunteer mengiranya akan ringleted 2. To be convincing, you can say "I'll put 2 waved to me before."

4. Make a double lift again, and show the card to the audience, he mentioned the value requested (eg, shovel 6). Put the card back to the stack.

5. Ask volunteers to open the hands, place the top card to hand in a closed position, and say "I will put 6 cards to hand you a shovel" (when the card is waved 2) - IMPORTANT: make sure that volunteers do not see the card in the hand.

6. Now you have one card in front of you (9 hearts) and one card in the hands of volunteers (2 ringleted), but the audience will think ringleted 2 in your hands, and a shovel in hand 6.

7. Insert the card in front of your card in the stack. Then shake. Ask the volunteer what the card you entered, and he will say "2 waved." Make sure that the audience remembers it.

8. Akan menteleportasi you say the magic card ringleted 2. Beraktinglah possible.

9. When finished, ask volunteers what card is in the hands. He will say "6 shovel." Turn the card in his hand, and in fact the value is 2 curls!

TIPS: Do this trick quickly so that the audience does not have the opportunity to see the actual card in hand.

Magic Tricks with Common Objects

2009-06-23T07:30:00.000+07:00

Oke friend i will give you some magic trick about Magic Tricks with Common Objects. The prevailing idea with the public is that a conjuror moves things about from place to place before one's very eyes, but with such extreme rapidity as to avoid detection. This, I say, is the prevailing idea, and long may it continue to be so, since it is the very thing an audience is supposed to imagine. The learner, however, must, from the outset, dismiss such an impression from his mind as untenable, even for an instant. If he has a lurking opinion that a hand can be moved without the motion being detected, let him practise at moving, say, a cork or a piece of sugar, a distance of only one short inch. Let him practise for a twelvemonth to begin with, and I will guarantee that at the end of that period he is no nearer the consummation of the feat than he was at the commencement. If time hangs heavily on his hands, let him go on practising, say, for five or ten years: the result will be precisely similar. No; conjuring is based upon more deceptive principles than mere rapidity of movement, although that, of course, enters largely into its composition. Articles are, indeed, transmitted from one place to another before the eyes of the audience, but it is always, as it were, sub rosa. This is the reason why conjurors say so much about the hand being quicker than the eye, &c. The audience is continually trying to detect movements which are never even attempted, the result being that other movements are conducted with impunity. The conjuror must start with the one principle firmly fixed in his mind that he is to deceive his audience in every way possible. At no time is he actually to do that which he says he is doing. Every look and gesture, besides every word, should tend to lead the mind into the wrong groove. Misdirection is the grand basis of the conjuror's actions; and the more natural the performer's movements in this particular, the more complete will be his success. With each trick that requires it, I shall give hints for misdirecting the spectator's attention, although I am of opinion that every conjuror can best suit himself if he is only firmly impressed with the necessity for misdirection. The drawing-room conjuror must hold himself prepared to perform offhand with any article that may happen to present itself to view; although it is, of course, perfectly allowable for him to send for anything he may require. An article which one is tolerably certain to find in most houses is

Optical Illusion Image Gallery

2009-06-23T07:22:00.000+07:00

Oke friend This is a eye trcik for you

How many faces do you see?

1... 2... or 3?

Magic eye Optical Art / Illusion

2009-06-23T06:46:00.000+07:00

Oke friend this is the eye trick illusion. This is an oldie but a goodie.

Stare at the black dot above. The surrounding haze will dissapear.

Magic Motion

2009-06-22T21:10:00.000+07:00

Oke friend look the image. Move your eyes and concentration around to different parts of the following illusion :

It took some time and experimentation to be able to design an image that "moves".
Can you see what properties of the above image gives the illusion of motion?

eye magic trick: How many legs?

2009-06-22T20:57:00.000+07:00

Oke friend i will give you some basic eyes magic trick. View the illustration of the elephant below:

Color Word Jumble

2009-06-22T20:53:00.000+07:00

Oke friend this is the eyes magic trick. Read aloud the words written below

Read the color of the words below (not the actual words), try to do it as fast as you can. Is it difficult?

Rotating Illusion - Pink Eye Magic Trick

2009-06-22T20:12:00.000+07:00

Oke friend i will give you some phenomena including of eye

f your eyes follow the movement of the rotating pink dot, the dots will remain only one colour - pink.

However if you stare at the black “+” in the center, the moving dot turns to green.

Now, concentrate on the black “+” in the center of the picture.
After a short period, all the pink dots will slowly disappear, and you will only see only a single green dot rotating.

It's amazing how our brain works. There really is no green dot, and the pink ones really don't disappear.
Proof enough that we don't always see what we think we see...

eye magic "Longer or Shorter"

2009-06-22T07:26:00.000+07:00

Look at the two shapes.

Which appears to be the longest - A or B ?

Exlpaination:

n the case of the two red bars, the simple act of adding arrow heads and ends tricks the brain into misjudging size. This turns out to be particularly easy to do.

In bar A, the outward-pointing arrows rigidly define the size of the bar. In bar B, however, the opposite is true - the arrow flights loosely define the ends of the bar.

The overall size of object B is greater than that of A. This immediately tricks our brain into increasing the significance of B. Its close proximity to A seals the deal, and we will always choose B as the biggest. Use a ruler, however, and you will find no difference.

The magic illusion Eye

2009-06-20T10:38:00.000+07:00

Oke friend thi is the illusion eye...

Often, when the five senses we work together, we work system is in fact the brain become disorganized. Evidence of a statement can be viewed in the illusion optis below. This trick can also be used to make a "pseudo-hypnosis"

Beraktinglah seems menghipnotis volunteers, and say, "Count from 1 to 10, and you will lose your ability to count"
Count the number of black dots in the picture below

back- foward , then you will see this picture seems to move.

Do you confused ?

This illusion optics pesulap used for many things, such as the objects, making something seems to float, and so forth. Basically, do not let what you see affect your mind. Use the brain and conscience.

Magic Trick Sniffer "Menghipnotis Sapu Tangan"

2009-06-20T10:30:00.000+07:00

Oke friend i will give you magic trick about sniffer hypno "Menghipnotis Sapu Tangan"

Preparation:
Insert a straw or to fold lidi sniffer (see picture).

If you want to enforce sniffer, simply press lidi towards the top of the dengn index finger (see picture)

Procedure:

- Tell that to the power of hypnotic, sniffer will follow your command.

- Say "Wake up!" while pressing up lidi / straw broom in hand, the handkerchief will stand upright.

Magic Trick Coin penetrate Bottle "Koin Menembus Botol"

2009-06-20T10:20:00.000+07:00

Oke friend i will give you some magic trick about Coin penetrate Bottle "Koin Menembus Botol"

Effets: You are able to make a coin penetrate a bottle

Procedure:

1. Take the bottle cap, rekatkan a coin in the bottle closed with Scotch tape back and forth (double-tape), or use a glue that is not too strong (this is better, because bekasnya will not be left behind)

2. Send a volunteer to check a bottle (without cap bottle)

3. Place kembal bottle cap in place. Hold a coin on the other hand you, and place it at the bottom of the bottle with your hands as the base.

4. Hentakkan / guncang bottle with coins in hand, so close to the bottle will drop down. While the volunteers upset, hide / dispose of coins in your hands.

Trik Sulap The Master - Kecepatan Tangan Rhomedal Aquino

2009-06-16T06:22:00.000+07:00

Oke friend i will give you some magic trick about Trik Sulap The Master - Kecepatan Tangan Rhomedal Aquino. In fact this can not be called "tricks", but "technical". The success of this show 100% depending on the speed of the hands, which can only be achieved with the many exercises in front of the mirror.
I. Removing the card from the air There are two methods. The first method is to bend a hand to all mentupi card. Do this method if you have a hand big enough and wide so that the card is not visible from the front. Second technique is much more common, that is to bend the card tertutupi by a hand. Please see picture for more details: When advanced, you can try this movement under the Or movement, which is a combination of first and second All movements should be done smoothly and quickly. Will be very helpful if you use the card a little slippery and a bit more small-sized card from Remi usual. Remember, the point of view in the picture is the point of view from your eyes. Spectators will see the point of view from the opposite direction.

Rahasia Tantangan Magic Square Joe Sandy

2009-06-16T06:13:00.000+07:00

Oke friend i will give you some magic trick about Rahasia Tantangan Magic Square Joe Sandy"I write this post not for Joe mendiskreditkan Sandy. I certainly did not know whether its in the show at The Joe Master Sandy uses tricks, or actually use the power of mind"

Ok, this is one of a very brilliant show from Joe Sandy. Basically, Joe makes the 4x4, if that note:
Vertical-In
The horizontal -
The diagonal -
-4 Number in each corner
-4 Number in the middle
Will produce the same number.

Following formula (again, I certainly did not know whether its in the show at The Joe Master Sandy uses tricks, or really use the strength of mind):

And following, for example, with the number 49 as a benchmark (note if the method above, all the 49)

In the show, Joe Sandy to make mistakes. Errors that can dimaklumi, because he was under great pressure.
Ok, rather than an error of meributkan Joe, let's Tantang ourselves, how quickly we can complete this magic square. Requirements:
- Total number Answer you can select your own
- No two the same number shown in the table
- In do so, you may not use two-digit total Answer the same same, respectively.
- Rounding in the calculation time is quite a number behind the comma, not including the time when creating a 4x4 table.

I record in solving magic square is 15.4 (four comma fifteen) seconds, with the number 87 Answer. How cepatkah you?

Trik Sulap Dasar Melepaskan Ikatan Tali

2009-06-16T06:08:00.000+07:00

Oke friend i will give you some magic trick about Trik Dasar Melepaskan Ikatan Tali. In some shows we often see the magician who tied the knot and have a variety of escape in a certain time. In doing these tricks, the most important is done free hand ties. If the bond of already released, in association seerat any other body part can be surely removed.

Therefore, there is a special trick to make a binding wrist. Next picture and explanation:

Once separated, the next live search keywords that are appropriate for handcuffs, leg ligament release, and escape.

Note: The same trick can be applied to neck ties, drawn by two people simultaneously, but instead of gag, rope / chain would unravel.

Mengubah Jeruk Menjadi Apel

2009-06-12T19:54:00.000+07:00

Oke friend i will give you some magic trick about Mengubah Jeruk Menjadi Apel

Effects: You can change into an orange apples.
Preparation: peeled the top of the orange (see picture)
Procedure:
- Put the top of the orange is peeled, so cover the apples.
- Cover the "apple-orange" with a sniffer
- While the handkerchief, pull the top of the orange, the orange seems to be turned into apples.

Tips:
- Make a short distance away from the remote.
- Show this more effectively done in a magic show that development, not as a "single magic show"

Trik Sulap Menebak Usia

2009-06-12T19:14:00.001+07:00

Oke friend i will give you some magic trick about Trik Sulap Menebak Usia

Effects: You can hit someone over the age of mathematical calculation.

Procedure:

1. Call someone up to the stage, make sure there is no engineering in between both of you.

2. He ordered in the heart of the age (eg 51)

3. Multiply with 3 (51 x 3 = 153)

4. Add 1 (153 +1 = 154)

5. Multiply 3 (154x3 = 462)

6. Add with age (462 +51 = 513) order it off the results to you.

7. To know the age, just discard the last digit on the end result is a number. Age can be known through digits that are not removed.

Sulap (Magic Trick: The Slide)

2009-06-12T19:06:00.001+07:00

Fig. 39.

Oke friend i will give you some magic trick about The Slide. This is a very simple, but not, therefore, any the less useful, little deception, which deserves to be brought more into use by conjurors than it is. It consists merely in sliding back, in a particular manner, the bottom card of a pack, with the fingers of one hand, so that the other hand may remove the one next to it, and yet appear to actually remove the bottom card. The particular method of holding the pack is shown at Fig. 39. The cards are taken, face downwards, in one hand, and the first and second fingers push back the bottom card to the extent of from half an inch to an inch. Damp a finger of the other hand, and apply it to the bottom of the pack, drawing away the last card but one instead of the last. Thus, if, as in the illustration, the seven of hearts is at the bottom, and the seven of clubs next it, the red card will be exhibited to the audience at the bottom of the pack, which is then turned over. The seven of hearts is then ostensibly taken from the bottom of the pack (the seven of clubs being taken instead), and then made to change, whilst covered by the hand of a spectator, from the heart to the club suit. This is the simplest form in which the deception can be employed. It is very useful in demonstrating to the audience that a chosen card is neither at the top nor the bottom of a pack, when it is actually at the bottom. A card or two can be taken from the top, and then a few from the bottom, the actual bottom card being slipped aside. After taking off cards in this manner, always ask whether you shall take any more away, and so disarm the suspicion that you know the position of the card, and have only removed a certain number of cards so as to ultimately reach it. Should anyone not be satisfied, but demand to have the pack turned over, you must comply, making the pass as you turn the cards over. This will bring another card to the bottom; but, if you do not remove the finger from between the two portions, the pass can afterwards be repeated, and the cards brought back to their former positions. This is a ruse which will naturally occur to most conjurors when performing.

Magic Trick: The Slide

2009-06-12T19:06:00.000+07:00

Fig. 39.

Magic Trick: First method

2009-06-12T16:10:00.000+07:00

Fig. 36.
Oke friend i will give you some magic trick about First method
This is hold the pack, with the ace of clubs on the top, in the left hand, between the first finger and thumb. The other fingers should be so disposed under the pack as to leave a space between the first and middle fingers. This space, is for the reception of the card to be exchanged, in this instance the ace of diamonds, which is held between the first and middle finger of the right hand. To effect the change, bring the hands momentarily together, and place the ace of diamonds between the first and middle fingers of the left hand; the thumb and first finger of the right hand taking, at the same time, the ace of clubs from off the top of the pack. Just before executing the change, the thumb of the left hand should push the ace of clubs slightly off the pack, so that it may be in a favourable position for the finger and thumb of the right hand to seize. The action must, of course, be instantaneous and unaccompanied by the slightest hesitation or bungling. There must also be an auxiliary movement of the body from right to left, without which it is exceedingly difficult, if not impossible, to execute the change unperceived. The left hand must also be taken away from the other, at the same moment, the feat being practised until it can be accomplished in one movement, the hands not dwelling together for the most infinitesimal period of time. The learner should first practise by saying to himself, "Now here I have the ace of diamonds, and, by simply rubbing it on this table" (here give the body a half turn from right to left, and execute change), "I will transform it into the ace of clubs." This form of address should be used when exhibiting the change in this its most simple form before spectators. The chief principle to be engrafted on the mind is, that the first half of the change is performed with the right hand and the second half with the left—the two movements being interwoven, as it were, with the body swing. On no account must the hands be brought suddenly together and then parted as if something had been snatched away. This method is the one in general use, and, for ordinary purposes, I can scarcely recommend any other. By its means, it is as easy to exchange two, three, or more cards for others as a single card. The cut (Fig. 36) illustrating this change shows the two hands in actual contact. It will be seen that the actions of leaving the one card and taking the other are simultaneous oke that all thank you....!

Sulap ( Magic Trick: The Lady's Own Trick )

2009-06-12T16:07:00.000+07:00

Oke friend i will give you some magic trick about The Lady's Own Trick
Fig. 35.

Say that you have now done quite sufficient yourself, and think it time someone else had a turn. Bring the card to any portion of the pack you please, so long as you know where it is. Take sixteen cards from various portions of the pack (you may have them selected if you please), taking care that the chosen card is included in the number, and arrange them in four divisions. Now, say that this trick must be done solely by a lady, and, giving your wand to one of the fair sex, ask her to point to any two divisions. The exact words you will use are, "Kindly tell me which two divisions I shall take." The word "take" is intentionally ambiguous, as, if one of the two divisions pointed at contains the chosen card, on which you are, of course, keeping a sharp eye, you will understand it to mean that you are to take those two and continue with them. If, on the other hand, they do not contain the card, you will assume that they are to be removed, and throw them aside accordingly. Two divisions will now remain, and you ask the lady to point to one of them, using the words, "Now, which do you prefer of the two?" This is, again, ambiguous, and you can do as you wish about taking or leaving the division pointed at. Four cards now remain, and you ask that two of them shall be selected, and, on two cards remaining, you repeat the request. If the chosen card is then pointed at, you allow it to be taken up; if the other, remove it, leaving the chosen card to be picked up by the chooser. You must endeavour to impress spectators with the idea that it is all sleight-of-hand, and never do it twice. Some tricks (not very many, though) will bear repetition, although it should always be avoided if possible. If there is no help for it, endeavour to vary the method as much as possible.

Another very rapid single-handed pass is depicted at Fig. 35. As it is only useful for passing one or more cards from the top to the bottom, or, rather, from back to front, it is not in in general use, but forms almost a separate trick by itself. The cards, which should not exceed twelve or fifteen in number, should be held at the top corners by the first finger and thumb, and the third finger inserted beneath the card to be brought to the front. This card is then, by means of the middle, third, and little fingers, which hold it, brought from behind and passed round the others, care being taken to bring all together evenly. In executing this pass, the pack is first held up with the faces of the cards towards the audience, and is then turned downwards for a moment. When the pack is again held up, it is seen that the front card (the bottom one) has changed. The trick can be thus worked: Place secretly at the back of the pack three of any denomination of card, say, the fours. At the front, place the other four, which suppose to be the four of clubs, and request one of the audience to say into which other suite the card shall change. You will know the order in which the three fours at the back are placed, so you will only have to place the third finger beneath the one named and pass it to the front. If it is the actual top card, you will bring it forward alone; but if it is the second or third, those above it must come forward as well. As this pass cannot be effected without noise, it is always best to pretend to pass the card chosen as the one into which the original four is to change from some cards held in the other hand. Ruffle these cards with the thumb and say, "Did you not hear it go?" The slight noise heard will be accounted for by the cards passing from one pack to the other. If a duplicate four of clubs is held at the bottom of the second pack, it can be exhibited as the one changed in the other pack. But the best trick performed by means of this pass is by the aid of two duplicate cards, say, the knave of clubs and the ace of hearts. A pack must be held in each hand. At the top of the right-hand pack put the ace, and at the bottom the knave. At the top of the left-hand pack put the knave, and at the bottom the ace. The cards at the top are placed there secretly; those at the bottom openly before the audience. Hold the faces of the packs towards the audience, and, calling particular attention to the positions of the cards, say that you will make them change places. Turn the packs face downwards, with a flourish, executing the pass with both hands, saying, "Presto! pass. Did you not see them go?" On holding the cards up again, it will be seen that the knave has gone over to the left-hand pack, and the ace to the right-hand one. This is very effective indeed.

Sulap ( Magic Trick: The Diagonal Pass )

2009-06-12T16:03:00.000+07:00

Oke friend i will give you some magic trick about The Diagonal Pass

This is a very useful variety of the two-handed pass, by means of which cards placed simultaneously in different parts of the pack are at once brought together. Say, three cards have been selected by various spectators. The performer presents the pack to each in turn, requesting to have the card chosen placed in any portion of it. The chooser thereupon pushes the card between the others, which are not opened out by the performer, but merely presented in a compact body. The card is not permitted to be pushed quite home, the performer withdrawing the pack in time to prevent this. The pack is presented to the two other selectors of cards, and, when the three have all been placed in it, the performer apparently pushes them home with the right hand. What he actually does is thus described: Nip the three cards by the still protruding portions between the thumb and middle finger, across their width, and, in the act of pushing them into the pack, turn them obliquely sideways sufficiently to cause the right-hand top corners to project a quarter of an inch from the pack. The length of this projecting portion will be rather more than an inch, and is easily hidden from the spectators by means of the first and second fingers of the left hand. The top left-hand corner must be pushed down out of sight, and it will then be found that there are two considerable projections on the side and bottom of the pack. The right-hand one is hidden by the palm of the hand, and the lower one by the little finger. The pack, as it appears at this stage of the trick, held in the left hand (the right hand being removed for the sake of clearness), is shown at Fig. 34.

As the cards are supposed to be pushed home along with the rest of the pack, it is advisable to actually remove the right hand for a short time, the performer commencing to say what he is about to do with the cards. When he subsequently brings the hands together again, for the purpose of making the pass, the thumb and second finger of the right hand should again nip the upper end of the pack. A simultaneous twisting movement is made with both hands, the right hand turning the pack to the right, whilst the left turns the three cards to the left, until they are clear of one another, when the motions are reversed, the three cards being placed either on the top or at the bottom, as the performer may desire. He will find it easier to place them at the bottom, as they come more naturally there. The position of the left hand remains the same throughout, the three cards being held in position by the pressure of the little finger at the lower right-hand corner. The making of the pass must be covered by a slight swinging movement of the two hands in any direction. Some performers, finding it rather difficult to push home several cards into the desired position simultaneously and neatly, make the pass each time a card is placed in the pack. It is open to the learner to adopt this method if he so pleases, but he is more liable to detection; besides which, the feature of the pass is the showing the cards all in different parts of the pack, and then apparently pushing them home at one and the same time.

Fig. 34.

An alternative method is to push the cards down, with the projecting corner on the thumb side of the left hand, and then, by straightening the cards at once, leave half an inch or more of the whole width of the chosen cards projecting from the bottom of the pack, instead of having them diagonally across the pack, as is shown in illustration. A trial will show the learner that this method is an expeditious one, but my reasons against its use are twofold. Firstly, too much of the cards to be passed is exposed, and, secondly, the act of pushing them down is extremely likely to carry along with them indifferent cards intervening between two of them. This is especially likely to be the case with cards that are at all worn. The reason for this is that there is no stop to the body of the cards, which stop is provided, in the method shown at Fig. 34, by the little finger, during the whole of the operation. The act of pushing the cards transversely down, from the opposite side of the pack to that depicted, renders it impossible that the little finger can be in position on the lower side of the cards at the most critical time, the commencement, to prevent any but the desired ones from being pushed down. Its presence just at the corner seems to me to be very essential to the effective performance of the pass, combined with security from mishap.

Sulap menebak angka Dadu

2009-06-12T16:01:00.000+07:00

Ditranslasikan dan dikembangkan dari M. Evan oleh Suja Danil.

baik lah teman-teman saya akan membagika trik gratis ini pada anda pecinta dunia sulap

Effects : Dengan mata tetutup dan perhitungan matematis, anda bisa menebak angka 3 dadu yang dilemparkan oleh seseorang.

Prosedur :

1. Di awal show, katakan apabila anda menebak angka satu buah dadu yang dilemparkan, dan tebakan anda benar, itu adalah sebuah kebetulan. Jika anda menebak angka dua buah dadu yang dilemparkan, dan tebakan anda benar, itu memang sedikit mengesankan, tapi orang masih akan menganggapnya kebetulan. Oleh karena itu, katakanlah bahwa anda akan menebak angka 3 buah dadu dengan mata tertutup dan perhitungan matematis.

2. Panggil seorang sukarelawan dan suruh ia melemparkan 3 buah dadu . Misal dadu pertama 6, dadu kedua 5, dan dadu ketiga 1.

3. Suruh ia mengalikan dua angka pada dadu pertama (6 x 2 = 12)
4. Tambah angka taersebut dengan 5 (12+5=17)
5. Kalikan 5 angka tersebut (17 x 5 = 85)
6. Suruh ia menambahkannya dengan angka pada dadu kedua (85 + 5= 90)
7. Kalikan 10 (90x10 = 900)
8. Tambahkan dengan angka pada dadu ketiga (900+1=901)
9. Minta sang sukarelawan menyebutkan angka total yang ia peroleh. Yang harus anda lakukan, kurangilah angka tersebut dengan 250untuk mengetahui angka dadu yang dilemparkan sang sukarelawan. Dalam kasus ini, 901-250 = 651. Berarti dadu pertama bernilai 6, dadu kedua bernilai 5, dan dadu ketiga bernilai 1.

Cara Melakukan Hipnotis

2009-06-12T15:57:00.001+07:00

Cara Melakukan Hipnotis

Ditranslasikan dan di bwt kembali oleh Suja Danil

Baiklah teman-teman saya akan bagikan ilmu saya
Definisi : Hipnotis adalah salah satu cabang magic yang digunakan untuk bermain dengan alam bawah sadar manusia. Setelah seseorang memasuki alam bawah sadarnya, kita bisa menanamkan sugesti tertentu dalam pikiran mereka, dan membuat mereka melakukan hal-hal yang kita perintahkan.

Perlu Diketahui :
- Hipnotis (terutama "extreme hypnotist" seperti yang sering dilakukan Romi Rafael) hanya akan berhasil apabila sang objek (sukarelawan) bersedia dihipnotis.

- Alam pikiran manusia dibagi menjadi dua, yaitu alam sadar(conscious mind) dan alam bawah sadar (unconscious mind). Tujuan hipnotis adalah membuat sang sukarelawan berada di alam bawah sadar mereka. Keadaan setelah sang sukarelawan melakukan berbagai macam hal dalam pengaruh alam bawah sadar disebut "trans".

Prosedur :

1. Percaya Diri
Sebelum melakukan hipnotis, anda harus benar-benar yakin danpercaya bahwa anda mampu menghipnotis orang lain. Yakinkan diri anda bahwa anda adalah seorang ahli hipnotis yang hebat. Tanpa rasa percaya diri, hipnotis yang anda lakukan pasti gagal.

2. Ritme
Sesuaikan ritme suara anda dengan kecepatan nafas sang sukarelawan. Hal ini bisa dilakukan dengan memperhatikan gerakan rongga diafragma saat sang sukarelawan bernafas. Saat yang paling tepat untuk menggiring sang sukarelawan memasuki alam bawah sadar mereka adalah saat mereka sedan menghembuskan nafas (seperti yang sering dilakukan oleh Romi Rafael).
Biasanya, jika hipnotis berjalan dengan sukses, tempo dan ritme nafas sang sukarelawan menjadi lebih lambat. Saat itu, perlambatlah tempo dan ritme bicara anda sesuai dengan ritme nafas sang sukarelawan.

3. Nada Suara
Ada dua macam nada suara yang dapat digunakan dalam hipnotis.

a. Nada Suara Monoton
Metode ini sering dipakai oleh Romi Rafael. Nada suara monoton adalah nada suara yang datar dan cenderung sama dari awal sampai akhir, dengan penggunaan kata yang terus-menerus diulang. Tujuan menggunakan nada suara monoton adalah agar alam sadar sang sukarelawan merasa bosan, sehingga ia lebih mudah memasuki alam bawah sadarnya.

b. Nada Suara Bergelombang
Nada suara yang dipakai adalah nada suara naik-turun, lemah-keras, rendah-tinggi. Pelaku hipnotis mula-mula akan berbicara dengan nada rendah, kemudian semakin meninggi hingga membawa sang sukarelawan ke dalam keadaan "trans".

Silakan pilih salah satu nada suara yang sesuai dengan kepribadian anda. Pilihlah yang paling nyaman dan enak saat anda mengucapkannya.

4. Membawa sang sukarelawan memasuki alam bawah sadar

Pertama, perintahkan sang sukarelawan untuk melakukan suatu rutinitas, misalkan "Berhitunglah dari 1 sampai 10, tiap-tiap hitungan akan membuat anda memasuki alam bawah sadar anda".
Atau "Tarik nafas dalam-dalam...dan hembuskan".
Atau tanyakan "Siapakah nama anda?"

Di tengah-tengah proses itu, jabat tangannya, tatap matanya, danlakukan sesuatu yang mengejutkan sehingga ia dengan cepat memasuki alam bawah sadarnya. Sesuatu yang mengejutkan itu antara lain :

-. Menyentakkan jabatan tangan
-. Mengangkat pergelangan tangannya ke atas
-. Menjentikkan jari anda ke dahi sukarelawan

Ingat, saat melakukan hal-hal tersebut, tetap pertahankan kontak mata dengan sang sukarelawan. Setelah itu, buat sang sukarelawan melakukan hal-hal yang anda perintahkan dengan kalimat hipnotis.

5. Kalimat Hipnotis
Kalimat-kalimat hipnotis harus diucapkan dengan lancar, tanpa kata-kata seperti "eee...", "mmm..", "eh...", dan sebagainya. Kalimat hipnotis biasanya adalah kalimat perintah bernada sugestif, singkat, padat, dan diucapkan berulang-ulang.

Contoh kalimat hipnotis :
Hal pertama yang harus anda lakukan adalah......
Membuat diri anda merasa nyaman.....
Duduklah di kursi dengan kedua tangan di atas paha....
Setelah anda merasa nyaman.......
Fokuskan pandangan mata anda ke satu titik.....
betul......
Arahkan pandangan mata anda ke titik ini.......
Mata anda akan semakin berat......
Semakin berat.....
Dan anda akan tertidur......

(........) menandakan anda harus memberikan jeda sebelum menuju ke kalimat selanjutnya.

Anda sekarang berada di tepi pantai yang indah...
Sangat indah....
Dan akan menjadi lebih indah......
Anda akan melihat ombak dan buih....
Angin sepoi-sepoi...
Pohon kelapa yang teduh.....
Rasakan semuanya.....
Rasakan dengan seluruh panca indra anda.....
Masuklah ke dalam air.....
Rasakan dinginnya....
Gunakan kedua tangan anda untuk berenang melewati lautan....
dsb....dsb....

Untuk menyadarkan kembali sang sukarelawan, anda bisa menggunakan kalimat berikut :

Anda akan melihat sebuah perahu....
Yang siap membawa anda meninggalkan pantai ini...
Tapi anda akan tahu....
Segala memori indah tentang pantai ini akan tetap ada dalam pikiran anda....
Ketenangannya....
Keteduhannya...
Jadi....
Naiklah ke perahu tersebut.......
Dan anda akan menemukan suatu pesan tertulis di perahu itu...
Mulailah berhitung dari 1 sampai 10.....
Dan tiap hitungan aakan membawa anda meninggalkan alam bawah sadar...
Dan kembali ke alam sadar....
dst...dst...

Yang perlu diingat, tempo, ritme, nada, dan volume saat mengucapkan kalimat hipnotis harus konsisten.

Hipnotis adalah cabang ilmu magis yang sangat sulit dikuasai. Untuk menguasainya diperlukan waktu yang tidak sebentar. Jadi, bila anda mempraktekkan hal-hal yang tertulis di sini namun masih gagal dalam melakukan hipnotis, hal itu sangatlah wajar. Teruslah berlatih dan berlatih, maka anda akan menjadi ahli hipnotis yang ulung.
Untuk melatih kepercayaan diri anda,

Mengubah As Wajik Menjadi As Hati

2009-06-12T15:55:00.000+07:00

"Ditranslasikan dan dikembangkan dari David Blaine oleh Suja Danil"

Untuk teman-teman saya akan membagikan sedikit trik saya pada ada, mungkin jarang ada situs yang brani membagikan rahasia ini secara cuma-cuma, anda dapat memamerkan satu trik dari saya ini pada teman-teman anda ato pada pacar anda..

Effect : Anda menunjukkan 3 buah kartu yang dipegang dalam satu tangan. As Keriting, As Wajik, dan As Sekop. Kemudian anda membagi ketiga kartu dalam posisi tertutup (menghadap ke bawah). Anda buka kartu sebelah kiri, As Keriting. Anda juga membuka kartu sebelah kanan, As Sekop. Kemudian anda bertanya kepada penonton, kartu apa yang ada di tengah? Penonton akan menjawab "As Wajik". Anda balik kartu di tengah, yang ternyata berubah menjadi "As Hati"

Trik :
Sebenarnya anda memang dari awal memegang As Hati yang dibalik dan bagian bawahnya ditutupi oleh dua kartu yang mengapitnya (lihat gambar).

Kartu As Hati anda balik

Anda tutupi bagian bawah As Hati sehingga menyerupai As Wajik

Anda tunjukkan pada penonton dalam bentuk seperti ini

Magic Trick: Rising Cards Variation

2009-06-12T06:10:00.001+07:00

Oke friend i will give you some magic trick about Rising Cards Variation

A pack of cards after being shuffled is divided in two parts by one of the audience who is requested to choose one packet. From this three cards are selected and shuffled into the packet. This is now placed in a goblet, when the selected cards will rise one by one from the glass, on command.

The better to understand this, let us suppose that the cards to rise from one packet are three aces and from the other, three Kings. At the start these cards lie on top of the pack, first the three Aces and on top of these the three Kings. A false shuffle is made without disturbing the six top cards, and after the shuffle the three Kings are passed to the bottom: The pack is now cut in two by some one who selects one part. Taking the chosen packet, the performer makes the "pass" and brings the three Aces or the three Kings, according to which packet is chosen, to the middle and forces them on three different persons. After the cards are noted they are shuffled in the packet to be afterward placed in the goblet.

Before they are placed in the goblet, however, a threaded packet containing duplicates of the forced cards is added; this is lying face down on the table, concealed by a handkerchief, which is used to wipe the goblet, while the packet is placed on the prepared cards. To insure that the Aces or the Kings as may be desired, will rise the cards are threaded as hereinafter described. Looking at the illustration, Fig. 79, let us suppose that A, B, and C represent the Aces, and D, E, F, the Kings, and the dotted line the thread. If the Aces are to rise, the half-pack of cards are to be placed directly on D, the thread being pushed aside and going over the half-pack, and in this way is placed in the goblet, with A, B, and C uppermost. If, on the other hand, the Kings are to rise the half-pack is placed on D, but the thread is kept between the threaded cards and the half-pack, and the packet is reversed when stood in the glass, D, E, F, being uppermost. As explained elsewhere, a concealed assistant pulls the thread to make the cards come up. In order that the cards may not become disarranged and also to insure that the cards rise straight a notch should be cut in the bottom of each card, as shown in the De Kolta Rising Cards.

Fig. 79

Magic Trick: The Reunion

2009-06-12T06:02:00.000+07:00

Oke friend i will give you some magic trick about Magic Trick: The Reunion

The performer forces the Queen of hearts on some lady in the audience. When it is returned the pack is shuffled and a rubber band is put around it lengthwise. It is then momentarily placed aside while the performer explains the situation. "I noticed," he says "that in replacing the Queen of hearts, which was drawn, the lady took no pains to put her side by side with the King. That is wrong. They should be together, and we must try to remedy the wrong."

He turns now to get the pack, but instead of taking the one just used he substitutes for it a prepared pack. From this the King and Queen of hearts have been removed, after which a fine, small rubber band is placed, lengthwise, about the pack. The pack is then stood on one end on a table, opened in the middle, bookwise, and laid flat as shown in Fig. 78. The King and Queen are now laid, faces down, over the rubber band, and the part with the faces upward is folded over. Two or three cards are placed top and bottom of the pack and another rubber band is put around it, lengthwise, to keep the cards in place. Turning to his audience with this pack, he says, "Let us hope that their exalted highnesses have met. Will your Majesties kindly make your appearance?" Removing the outside rubber band, but holding the pack tightly pressed together, the performer slightly relaxes his hold, when the two cards will rise slowly from the pack. "Ah, that is well," exclaims the conjurer. "And now for a trip in an aeroplane," saying which he relaxes the pressure entirely when the two cards will go soaring into air.

Fig. 78

The Obedient Cards

2009-06-11T20:58:00.001+07:00

Oke friend i will give you some magic trick about The Obedient Cards

In its original form the trick presupposes a certain amount of skill in handling cards, for the reason that the performer forces certain cards on the audience. There is, however, an easier way, by use of what is known as a "forcing pack." This is a pack made up of, say, only four different cards, as, for example, the King or the Jack of clubs, trey of hearts, the eight of spades, and the deuce of diamonds, each being repeated ten or twelve times. All of one kind are kept together, and when one lot is placed on another, the Queens at the bottom, it makes a respectable looking pack.

Fig. 66 The Houlette.

With such a pack, a decanter nearly full of water, a metal case with a cork at the bottom (known as an houlette), to hold easily, say, forty cards without binding the edges in any way, and a fine, strong, black silk thread, the performer is almost ready to begin his trick. We say almost ready, for there is still one more matter, a most important one, to be attended to. This is the threading of the cards. For this, besides the forced cards, six other indifferent ones, which we will call a, b, c, d, e, and f, are used. The first card, a, should be, preferably, the King or Jack of clubs. In this a slit about a quarter of an inch in length is cut in the center of the lower edge, and in the slit is inserted one end of the thread, on which there is a large knot to prevent the thread from pulling through. From the bottom the thread is carried up back of the card, and b, c, d, e, and f are placed back ofa. Over the tops of these five cards, as near the center as possible, the thread is laid. Taking, say, the trey of hearts, the performer presses it down between b and c, the thread going with it; then the eight of spades is pressed down between c and d and the deuce of diamonds between dand e, the thread being carried down in each case. When this is done the bottom of each of the forced cards rests on the thread, and, as will be readily understood, a gentle pull will cause these cards to come up from the pack, one after another, the trey of hearts the third, and the King of clubs, the card with the knot in it, the last.

The cards thus arranged are laid face down on the performer's table, the loose end of the thread being passed through a small staple or a screw-eye (which is entirely closed, so that the thread may not slip through) at the back of the table, and thence off to a concealed assistant who is to pull it when the time comes. In front of these cards lying on one side is the houlette. Everything being ready, the performer may begin his trick. Taking his forcing pack he goes to a lady whom he requests to draw a card. Remember, there are only four different cards—the ten top cards are all deuce of diamonds; the second lot of ten cards are all eight of spades; the third lot, all the trey of hearts, and the bottom lot the King of clubs. As the lady is about to draw a card the performer runs off the top cards and she naturally takes an eight of spades. As he goes to another lady he passes the top cards to the bottom of the pack, and running over the deuce of diamonds forces one of those, and so on with the trey of hearts and the King of clubs. In order to know when the last card of one kind is reached some performers have the card marked, say, by clipping off a small piece of the lower right-hand corner. When the four cards are drawn and returned to the pack, the performer steps to his table, ostensibly to get thehoulette and the decanter, so they may be examined by the audience. As he reaches the table he places the pack of cards upon the threaded cards which are lying behind the houlette, taking care to keep the thread free. When the decanter and houlette are examined the performer places them on the table, the houlette being fixed in the decanter. Then the cards are taken up, placed in their case, and the trick proper begins.

Addressing the lady who drew the deuce of diamonds, he asks the name of her card and requests her to bid it rise. The concealed assistant, holding in his left hand the thread, gently taps it with the side of his right hand; the card obeys at once, and when it is almost entirely out of the pack the performer lifts it out, and takes it to the one who drew it. The second card, the eight of spades, is treated in the same way, and then comes the trey of hearts, and finally, the King of clubs. When this card is ordered to come up it does not obey.

"That's very strange," says the performer. "Are you sure, Madam, that you drew the King?"

"Very sure," answers the lady.

"Please repeat your demand, Madam."

Again she orders the King to come up, but all to no purpose.

The performer shows that he is perplexed. Suddenly his face lights up.

"Ah, I see," he says. "Probably we ought to be more ceremonious in addressing a King. Let us try it."

Turning to the cards, and bowing politely, he says: "Will Your Majesty graciously condescend to honor us with your presence?"

Scarcely is the request made when the card rises from the pack and jumps out.

By adding a duplicate of any one of the cards and threading it so that it will rise just before the card it represents and with its back toward the audience, the performer may create the impression that the card turns over in the pack.

Where it is not practicable to have an assistant to pull the thread, the performer can gain the same effects by fastening the loose end of the thread to the back of the table. In this case he will have to hold the decanter in one hand (See Fig. 67), and by carefully moving it forward the least bit he can cause the cards to come up without exciting any suspicion.

Fig. 67

A few years ago, a clever conjurer who, like young Lochinvar, came "out of the West," claimed to have puzzled an old and accomplished performer with another version of the trick. He did not force his cards, but he had an entire pack prepared as follows: On the back of each card near the top and at the center was glued a bit of cardboard about half an inch square. It was glued only at the top of one edge and formed a sort of flap. This pack was held by an assistant at the back of the stage. When the performer began his trick he requested the audience to call out the names of the cards with which he should do the trick. The assistant, who heard the names, immediately selected those cards and arranging them in the order called for, quietly laid them on a table on the stage, from which the performer picked them up and placed them at the back of his pack.

Stretched across the stage at about six feet or more above the floor was a fine black silk thread. One end was fastened to a hook in the scenery frame, the other end passed through a screw-eye in the scenery frame on the opposite side of the stage. On this loose end were fastened two or three cards to act as counter-weights.

Standing under the thread and about a step back of it and holding the pack in his left hand, the performer raised his right hand above his head as if to show there was no thread used and in doing so pressed down the thread and passed it under the loose part of the card-board on the last card. He held on to the other cards tightly. Then with his open right hand about two feet above the pack, he called the card by name and bade it ascend. Loosing his grip of the pack, the prepared card, propelled by the weights on the thread, sprung at once into the outstretched hand. In this way all the chosen cards were made to ascend. (See Fig. 68.)

A second American performer having seen the trick thought out another way of doing it,—and a better way, because it may be done anywhere, as well as on the stage. Here is his method. (See Fig. 69):

Fig. 68

Fig. 69

The performer procured a long brown hair, from a woman's head, and tied one end of it firmly to a black-headed pin. On the other end he stuck a bit of wax. So that the hair might not pull out of the wax he cut a piece of thin cardboard about one eighth of an inch square. Through this a slit was made about two thirds of the way across. A knot was made in the loose end of the hair which was slipped into the slit and pulled through till the knot caught fast; the hair was then wound through the slit and around the card two or three times which finally was trimmed as small as possible and imbedded in the wax of which only a tiny piece is needed. When the performer was to do the trick he secretly fastened the black pin under the lapel of his coaton the right side, brought the hair down to his hip at which point in his coat he had stuck a second black-headed pin, passed the hair round the head of the pin and stuck the waxed end on the bottom button of the coat. With the hair fixed in this manner there is little danger of it getting in the way, and the performer might wear it all the evening.

For this form of the trick any cards may be taken, they need not be forced. We should advise not more than three be used. As the performer gets them back he has them placed in the center of the pack, and one on top of the other, without it being noticed. To do this easily, he merely slips the little finger of the left hand, in which the pack is held, in the place he opens the pack. When all are gathered he deliberately cuts the pack, and so brings the selected cards to the top. The performer's next move is to pull out the pin at his hip, which will allow the hair to swing loose; remove the waxed end from his coat button, which he may do with his thumbnail, and stick it on the point of his thumb. As he takes the pack from the left hand to stand it upright in that hand he presses the wax on the back of the top card near the top and the center. Then holding the pack upright in his left hand, the right is waved to and fro, under and over, around and about, to show that the cards are not connected with anything, and while making these motions he gets his thumb under the hair. Then by raising the right hand slightly and lowering the left, the back card will shoot up into the right hand which goes down to meet it. The second and third cards are treated in the same way.

Sometimes a mechanical pack is used to make the cards rise. In this form a number of cards are glued solidly together and afterward are cut away, with the exception of the first and last cards, so as to leave nothing but a framework and make a box into which the necessary mechanism is introduced. This consists of a watch movement somewhat similar to that in a musical box. This movement sets in motion two small toothed wheels of steel or rubber, which protrude through slots cut through the front card, about an inch and a quarter apart and about half an inch from the top, as shown in Fig. 70. A tiny projecting pin at the top of this box, sets the movement going or stops it. It is not worth while to go into detail about the mechanism of this box-pack for it is not always reliable. It is an old arrangement, though claimed by a modern conjurer, but has never been popular.

Fig. 70 The Mechanical Pack.

Recently another mechanical pack has been made that dispenses with the aid of an assistant. This consists of a tiny spindle around the center of which is wound a fine silk thread, one end fastened to the spindle, the other to the back of the table on which the goblet rests and holds the cards. At each end of the spindle is a small wheel covered with a little rubber band. The mechanism is simple and seems to be practicable. The spindle rests in a metal frame that fits over the edge of the goblet. With this, as with the other mechanical device, the cards are not forced.

Fig. 71

Besides these, a glass tumbler is made, as shown in Fig. 71. In one part of this a narrow slot is cut, running from the bottom of the glass to within an inch of the top. Through this slot the performer, holding the glass in his right hand, sticks his forefinger, and pushes up, one by one, the cards that were drawn by the audience. The cards are not forced, but as they are replaced in the pack are brought to the back by the "pass."

There are other ways of doing this popular trick, all more or less ingenious, but we shall omit mention of them and describe a method that has stood the test of years in the hands of one of our editors, who has exhibited it without failure under most trying circumstances, with the audience on every side of him. The main requisite is a piece of the finest sewing silk, that known as 000, about eighteen inches long. At one end is a bit ofconjurer's wax, and at the other is a piece of blackened match. The latter is run through the lowest buttonhole of the performer's vest; the wax is stuck inside of the opening of his shirt front. These three articles with a large goblet, a many-colored Japanese folding fan, and his wand under his right arm, constitute all the "properties." Three cards are freely drawn by the audience, and as they are replaced in the pack are brought to the back by means of the "pass" and false shuffle. If so inclined, the performer may palm these and allow the pack to be shuffled by the audience, replacing the cards at the back before proceeding with his trick. Now mark the exact routine of the movements: Going to his table, the performer places the pack in the goblet with his left hand. At the same time he removes the wax from his shirt front with his right hand and secures it with his thumbnail. "Ah!" he says, "I have neglected to show you this glass. Please examine it and satisfy yourselves that it is not prepared in any way." As he says this he takes out the pack with his right hand and sticks the wax on the back card, near the top edge. The left hand picks up the goblet and when it has been examined replaces it on the table. Then the left hand takes the pack from the right and puts it reversed into the goblet, thus bringing the wax to the lower end of the card. "Pray," says the performer, addressing the person who drew the last card, as the wax is attached to that, "what is the name of your card?" When he is told this he makes a few mesmeric passes over the goblet, and picking up the fan with the right hand opens it and slowly fans the right side of the goblet. As he does this his body bends naturally, pulling the thread taut, and the card slowly rises from the pack. Laying down the fan, he takes the card from the goblet with his left hand; at almost the same moment the right hand takes hold of the card at the bottom, as if to show it better and in doing so removes the wax with the thumbnail and sticks it on his wand, which, as will be remembered is under his right arm. At the same time the left hand puts the card back in the pack. Then the cards are taken from the goblet and sprung from hand to hand, to satisfy the audience that they are not connected with any contrivance to make them rise. The cards are held up with the left hand, while the right rests naturally on the wand, secures the wax with the thumbnail and sticks it on the back card. The left shows the glass and the trick proceeds, following the same routine as described for the first card. When the last card has risen from the glass the wax is replaced on the shirt front. The varicolored fan screens very effectually the presence of the thread from those of the audience who may be at the side. It will be found to be an advantage if the goblet is placed on a slight elevation, say, on a box or some books. Some performers stick the wax on the top button of the vest, but the thread is apt to curl and tangle.

The Changing Card

2009-06-11T19:44:00.000+07:00

Oke friend i will give you some magic trick about The Changing Card

A card is selected by one of the audience and when replaced is put in the middle of the pack. Placing the little finger of his left hand under this card the performer makes the "pass," and brings it to the bottom of the pack, which is then shuffled, but the selected card is kept at the bottom. The pack, backs upward, is held in the left hand, which is kept flat, the thumb at one side, the fingers at the other. Then, with the thumb and second finger of the right hand the pack, with the exception of the bottom card, is shoved forward slightly so that this card protrudes about an inch at the lower end as shown in Fig. 62. The front of the pack is lifted a trifle, the better to conceal this. The selected card is then ordered to pass to the top of the pack, and the performer, taking off the top card, shows it and asks whether that is the one that was drawn. The answer, of course, is "No." "Then," he continues, "it may, possibly, have traveled to the bottom," and he shows the bottom card. In showing it he takes hold of the end of the pack with the right hand and turns it over completely, as shown in Fig. 63, so that the faces of the cards are upward. The pack remains in the left hand. When he shows the visible card, which is supposed to be the one that was originally at the bottom, that, also, is declared not to be the selected card. It will be apparent to our readers, who by this time must have fairly good ideas of how some tricks are done, that the real bottom card which protruded from the lower end of the pack, was not turned over with the other cards, and is now back to back with the rest of the pack. The performer turns the pack to its original position, being careful, however, to keep it upright as the selected card which is now on top, face upward, must be concealed. Picking up the top card again he asks the person who drew the card whether he is certain that the card shown is not his. Of course the answer will again be that it is not. Instead of one card, however, the performer picked up two, holding them as one. Laying down the pack, he takes the two cards for a moment between the thumb and forefinger of the left hand at the upper left hand corner so as to allow his right hand to shift its position by taking the cards between the thumb and second finger, as shown in Fig. 64.

Fig. 62

Fig. 63

Fig. 64

Fig. 65

Now, when it is asserted that the card shown is not the selected one, he says he knows no other way out of the difficulty except by changing the card. "What was your card, sir?" he asks, and being told, he bids the card to change. His command is obeyed instantly, the card between his fingers being now the one that was drawn. This change is brought about in this way: While the two cards are held by their edges the tip of the forefinger presses against the center of the hinder card. By bringing the thumb and second finger together the cards are curved outwardly at the center and at last the second finger releases its hold and the thumb and forefinger clip the cards between them. This will cause the cards to make a semi-revolution, bringing the card that was at the rear to face the audience, as shown in Fig 65. The left hand takes the cards away from the right to square them up in case they should not cover each other perfectly.

The Disappearing Queen

2009-06-11T18:55:00.000+07:00

A pack of cards is shuffled and afterwards all the spot cards are taken out and laid on the bottom of an inverted glass or tumbler, which is then covered with a handkerchief.

Picking up the court cards, the performer shows the bottom card to one of the audience, whom he asks to take the card and place it in an envelope, which the performer hands to him.

Oke friend i will give you some magic trick about The Disappearing Queen

Then the bottom card is shown to a second person, who, in turn, is asked to take it from the pack and place it in another envelope, as in the first case. And so the performer continues, showing the bottom card, and having it placed in an envelope, until all the court cards are disposed of.

Returning to his table, the performer requests them to call out simultaneously, when he shall say, three, the name of the card placed in the envelope. "Now, then," he says, "one, two, three," and with one voice there is a cry, "The Queen of Hearts." "What, every one the Queen of Hearts? Impossible!" says the performer. "Why think for a moment. There's only one Queen of Hearts in the pack, and here it is," he says, and taking the handkerchief off the cards that are on the tumbler, he picks up the top card, and shows that it is the Queen of Hearts. The audience are now asked to open their envelopes, and, to their surprise, each one finds an entirely different court card.

For this trick are needed a pack of cards, a tumbler, a handkerchief, a pack of envelopes, and a half Queen of Hearts of another pack, as shown in the illustration, Fig. 60.

Fig. 60

Fig. 61

When the cards have been shuffled and the spot cards are removed, including the Queen of Hearts, which the performer places on top of the others, he runs the cards over before the audience, so that they may see all are spot cards, taking care not to let the Queen of Hearts be seen. The packet of spot cards he lays on top of the tumbler, and covers it with a handkerchief. Picking up the court cards, the performer secretly places the half-Queen at the bottom of the pack. Taking the pack in his right hand, he covers the lower part of it, the forefinger covering the lower edge of the half-card, as shown in Fig. 61. Then going to one of the audience, he asks him to remember the bottom card, and then to remove it and place it face down in an envelope. At this, the critical moment of the trick, the performer lowers the pack and places it, face downward, in his left hand, the thumb near the top edge, the fingers beneath. With his right hand he grasps the pack, his thumb at the end toward the body, the fingers at the opposite end. Without changing the position of the left hand, which grasps the half-card, the right hand moves the pack forward a trifle. The result will be that the top edge of the half-Queen will be about the middle of the bottom card and be covered by the left forefinger. When the right hand is withdrawn the man who is assisting will take the bottom card, which he believes to be the Queen of Hearts, and place it in the envelope. Again the performer places his right hand on the pack, while the left hand moves the half-card to the front once more. The same procedure is repeated until all the stock of court cards is exhausted. With the last card care must be taken to press the half-card well against it and to palm the half-card neatly.

The persons who assist in this trick should sit well apart, and the cards should be held close to their faces, so that they may not be seen by those who draw them or by others. Of course each one imagines he has the Queen of Hearts in his envelope, and there is no little surprise when that card is found on top of the inverted tumbler, and a different one in the envelope.

The Card in the Pocketbook

2009-06-11T18:23:00.001+07:00

Oke friend i will give you some magic trick about The Card in the Pocketbook

A card is freely selected from a thoroughly shuffled pack and marked. It is shuffled back into the pack around which is placed a rubber band. The pack is then returned to the person who drew the card, with the request that he hold it. The performer now takes from his breast pocket a large letter case or pocketbook, which is securely tied with a string. He cuts the string and takes out a sealed envelope from the book. Tearing off one end of the envelope he asks the one who drew the card to put his fingers into it and take out the contents. When the request is complied with the marked card is brought out. On examining the pack it is found that the card has left it.

The successful performance of this trick depends, in part, on the skilful palming of the bottom card of the pack. The peculiar arrangement of the pocketbook and the envelope are also essential features of the trick. Any letter case or pocketbook may be used, provided it is the proper length, which is about four by six inches. In it is placed a sealed envelope, which has one end neatly slit with a sharp knife, at the part AA, shown in Fig. 57. Into this open end is inserted two strips of rather stiff paper, each an inch and a half wide and four inches long; two inches of each going inside and the other two inches remaining outside. The outside ends are slightly curled outwardly or, better still, each is folded over the side of the book. The book is then securely, but not too tightly, tied around, twice each way, with a string. This cord must be separated at the open end far enough to admit of the card being slipped into the envelope. (See Fig. 58.) The pocketbook is kept in the right breast pocket of the coat.

Fig. 57

Fig. 58

Fig. 59

When the drawn card is to be replaced in the pack, the performer has it put about the middle and making the "pass" brings it to the bottom. This move he follows with a false shuffle, which leaves the card undisturbed. Taking the pack in his left hand, the thumb on top and the fingers below, the performer takes from his vest pocket with his right hand a rubber band, and stretching it over his thumb and the first two fingers, slips it over the pack. At the same moment the fingers of the left hand close up and palm the bottom card, as shown in Fig. 59. The palming of the card and the affixing of the rubber band being made simultaneously, conceal the stealing of the card. The performer now takes the pack in his right hand, while his left hand goes into the breast pocket, and slipping the card between the strips of paper, pushes it down into the envelope. The strips of paper are then pulled out and left in the pocket, and the cord is properly adjusted. The pocketbook is now brought out; the pack is handed to the person who drew the card and he is told to find the card, but fails in his quest. The performer then removes the string from the pocketbook, tears off the open end of the envelope, and requests the one who drew the card to take it out of the envelope and identify it.

A Selected Card Appears at Any Desired Number from the Top of the Pack

2009-06-11T18:08:00.000+07:00

Oke friend i will give you some magic trick about A Selected Card Appears at Any Desired Number from the Top of the Pack

A card that has been drawn by one of the audience and replaced in the pack is brought by means of "the pass" next to the top card of the pack. The performer asks at what number, counting from the top, the audience would like the selected card to appear. Let us suppose that number eight is decided on. Holding the pack in his left hand the performer shows that it is neither the bottom nor the top card. Taking the top card off the pack and holding it between the thumb and fingers of the right hand, face down, he counts "one." The second card (the selected one) follows immediately as "two," but instead of putting it on top of "one," which he holds in his right hand, he puts it under, his hands moving together slightly and quickly up and down, prevent the audience from seeing just whether the card goes on the top or the bottom of "one," and as the third card and all the other cards that follow go on top of "one," any suspicion that may be aroused is set at rest. When the eighth card is reached the performer throws it, face down, on the table. When the one who drew the card turns this up, he at once declares it is not the card he selected. While the attention of the audience is fixed on the card, the performer brings his hands together for a moment. The cards in the left hand lie flat, while the others are held lengthways above them between the thumb and the first and second fingers at the ends, so that the pack assumes, somewhat, the position of a half-opened book, as shown in the illustration, Fig. 56. With the fingers of his left hand the performer slips the bottom card of the packet held by his right hand (the selected card) on top of the cards in the left hand. By pressing lightly on this card while the right hand keeps the rest of the pile in the one position, the selected card will appear face upward on the left hand heap. The performer immediately places the cards in his right hand on top of it, face down, of course. It is the work of a moment only, and the audience ought not to notice it. Picking up the card that is lying on this table, the performer places it on the pack, which he hands to the person who selected the card, telling him that though in spite of the evidence of his senses, his card is not the eighth from the top, it will by the magic power of the performer be brought there. Taking the pack in his hands and ruffling it, he hands it back to the man with the request that he count off eight cards. The request is complied with, and much to the astonishment of the gentleman he will find, when he reaches the desired number, the selected card staring him in the face.

Fig. 56

A Flying Card

2009-06-10T21:18:00.000+07:00

Oke friend i will give you some magic trick about A Flying Card

A card is selected from an unprepared pack which has been thoroughly shuffled. When the card is returned the pack is again shuffled. The performer holds the pack in his right hand, and asks the name of the selected card. The answer is no sooner given when the card jumps out of the pack, and high in the air.

Fig. 51

Fig. 52

Before the knack of this trick is acquired, there will be no little practice spent on it. When the selected card is returned to the pack, it is brought to the top by the "pass," and left there, even though the cards are once more shuffled. Then the performer places the pack, face down, on the right hand, the thumb on one side, the first and second fingers on the other. The selected card (which is on top) rests on the side where the fingers are, and its opposite edge, where the thumb is, is raised about a quarter of an inch, and held loosely by the thumb, as shown in Fig. 52. The muscles of the hand which must be kept tense, suddenly press the pack into the position shown in Fig. 53; the thumb slips between the top card and the others, while the first and second fingers glide along the bottom of the pack. Almost at the same moment the top card will spring out of the hand and go flying in the air, as shown in Fig. 54. In its descent it will be found possible to catch the card on the top of the pack, but that means more practice and plenty of it.

Fig. 53

Fig. 54

To Discover a Card Drawn from the Pack

2009-06-10T21:15:00.000+07:00

Oke friend i will give you some magic trick about To Discover a Card Drawn from the Pack

Method 1. A card is drawn, and when it has been replaced in the pack, the one who drew it is asked to square up the cards. When the card is put back the performer watches to see in what part of the pack it goes. He puts the pack behind his back. He knows about where the card is, that is, whether it is near the top, the bottom, or the middle of the pack. Let us suppose it is near the top, and the performer thinks there are nine or ten cards above it. (Let us say, just here, that an expert handler of cards can tell almost the exact number, at a glance.) Holding the pack behind his back he takes three cards from the top, and showing them asks if the drawn card is among them. Of course it is not. He throws the three cards on the table, and then with three more cards taken from the top he goes through the same procedure. To take three more cards from the top would be extremely hazardous, as the selected card might be among them and there would be no way to know it. Instead of pursuing the same course he takes one card only from the top and two from the bottom. Should the selected card be one of these three, he knows at once that it is the card he took from the top. Should the selected card be placed near the bottom the same procedure is followed, but instead of showing cards taken from the top of the pack, he begins to show from the bottom. If the selected card has been placed in the middle of the pack, the performer brings a number of cards from top to bottom so that the selected card will be nearer the top, and proceeds as at first.

There is another way of doing this trick. Some one is asked to draw seven or eight cards and to think of one. These cards are replaced on top of the pack, which is then shuffled without disturbing the drawn cards. Then the pack is placed behind the performer's back, and he takes four cards from the bottom and one from the top and throws them on the table faces upward. He asks if the card that was thought of is among them. If it proves to be, he knows it must be the one he took from the top of the pack. Should the selected card not be among them, he repeats the proceeding just described until he reaches the card thought of.

Method 2. The cards are shuffled and one is drawn. Taking the pack in his left hand the performer holds it at the bottom in an upright position between the thumb and first finger. The thumb is stretched across the back of the pack and the first finger across the front. The cards face toward the audience. With the second finger of the right hand the performer opens the pack about the middle, by drawing the upper part toward himself, as shown in the illustration, Fig. 48. This gives him an opportunity to see the bottom card of the upper part. The drawn card is placed in the opening thus formed. Then the cards are cut or shuffled, and it is simple enough to locate the card as it will be below the card that was at the bottom of the upper part. The cutting or shuffling of the pack will seldom, if ever, separate the two cards.

Fig. 48

Method 3. A card is selected from a previously shuffled pack. The pack is in the left hand and about half of it is lifted off with the right hand, which holds the pack between the thumb and second finger. The selected card is laid on top of the lower packet and the upper packet is placed above it with a little sliding motion toward the body. At the same time the thumb of the right hand slides the top card of the lower packet, which is the selected card, a little out toward the wrist, where the performer may easily turn it upward with the thumb and catching a glimpse of the index, learn what the card is.

Method 4. When the card has been drawn, the pack is bent almost end to end, as in Fig. 49. When the card is replaced and the pack is shuffled, all the cards will be curved slightly except one which is, of course, the one that was drawn. Sometimes the pack is curved lengthwise, as in Fig. 50. In that case when the selected card is replaced and the cards are shuffled they may be sprung from hand to hand without disturbing the bridge and the selected card may be found in a moment.

Fig. 49

Fig. 50

Method 5. If done with care it is almost impossible to detect this trick. A faint line is drawn with ink or a pencil across the edges of the pack at B, as shown in the illustration, Fig. 51. To exhibit the trick the pack is first thoroughly shuffled, and then one of the audience is asked to draw a card. While he is looking at it, the performer turns the pack, so that the line which was near the bottom of the pack is now near the top. When the drawn card is replaced, the performer need only look for the little mark that is on the edge to know the card. Shuffling the pack does not interfere with the accomplishment of the trick, provided of course, that the position of the cards are not changed. More than one card may be drawn when necessary. Of course, the mere telling of what card has been drawn does not amount to much as a trick, unless in combination with something else.

The Prediction

2009-06-10T21:12:00.000+07:00

oke friend i will give you some magic trick abuot The Prediction

A pack of cards is handed out to be shuffled. When it is returned the performer learns what the top card is by simply bending the left hand bottom corner, so that he may see the index. Laying the pack on the table, face down, he asks some one to divide it in two. He informs his audience that by looking at a card in one packet he is enabled to tell which card is on top of the other packet.

In proof of this he lifts a few cards from the packet which was the lower part of the pack, and looking at one card he names the top card of the other packet. As he knows that card, this is an easy matter. Looking at the cards of the lower packet is merely a ruse to learn what card is on top, for while the audience imagine he is looking at one of the cards when he opens the packet he is really shifting the top card so that he may see its index, as shown in Fig. 47. When the performer has named the top card of the upper packet and it is found to be correct, he deliberately places the former lower packet on top. Then he shuffles the pack without disturbing the top card, and proceeds as at first. In this way he may continue indefinitely, without fear of discovery.

Fig. 47

He is careful to give his audience the impression that when he lifts at hazard the cards from the lower packet, as already shown, that the particular card he sees enables him to tell the top card of the upper pack. To strengthen this impression, when he looks at the card of the lower pack he says: "Ah! the five of diamonds—" or whatever it happens to be—"naturally, the top card of the other packet must be the Jack of Clubs, just as naturally as day follows night." It is wonderful how this little subterfuge tends to mislead even intelligent people; most of them will imagine that the trick is the result of some mathematical formula worked out by the performer. Not for a moment must any one be led to suspect that the performer's sole object in handling the lower packet is to get sight of its top card.

The Transformation of the Jack of Clubs

2009-06-10T21:09:00.000+07:00

Oke friend i will give you some magic trick about The Transformation of the Jack of Clubs

Three of the Jack of clubs are distributed as follows in the pack: One is laid on the top, a second is placed the third from the top, and the third next to the bottom. The performer makes the "pass" so as to bring the top Jack to the middle of the pack, and forces it on one of the audience, who is asked to look at it, so as to know it again, and then put it back in the same place in the pack. Again the pass is made and the card is brought back to its original position. The performer now ruffles the pack with his left hand and, showing the bottom card to the one who drew the card, asks whether that is the card he selected. As the bottom card is, let us say, the seven of spades, the answer, necessarily, must be "No." "That's a bad beginning," says the performer, "and as that particular card is the most fractious one in the pack, always pushing itself in where it is not wanted, I'll get it out of the way and lay it on the table." Lowering the pack, face downward, he slips back the seven of spades with the third finger of the left hand, which is at the bottom of the pack, and with the second finger and thumb of the right hand takes instead the card that follows, a Jack of clubs, and places it, face down, on the table. Then putting his little finger between the two top cards and the rest of the pack he passes those two cards to the bottom. There will be now one Jack of clubs on top of the pack and another next to the bottom, while at the bottom is some indifferent card, say, the nine of diamonds.

"As I was so unfortunate with the first card," continues the performer, "I hope to do better this time. I think you will find, sir, that the card now at the bottom is the one you selected."

He shows the card and is again told he is wrong. "Dear me," he exclaims, "I don't know that I can do better than put it alongside of the other on the table." He proceeds as with the seven of spades and lays the second Jack of clubs on the table. "As many good things go in threes," he says, "let me try once more. As I have had no luck at the bottom of the pack, suppose I try the top for a change." He now, apparently, shows the top card, but, really, shows the two top cards as one, the second being, we will suppose, the ten of hearts. Keeping the two cards well together, his thumb at the top and first finger beneath, he slides them to the right. protruding about an inch. The thumb of the left hand keeps them in position. Now the thumb and first finger of the right hand turn up the two cards just a trifle, so as to bring in sight the ten of hearts, as shown in Fig. 46. The moment he is told that it is not the selected card the performer presses the cards down to their normal position, and with the right thumb slides the Jack of clubs free of the ten of hearts, holding it between the thumb and first finger. At the same time the left thumb draws the ten of hearts back on the pack. With a little care this change is imperceptible.

Fig. 46

The Jack of clubs is now placed on the table, face downward, with the others.

The seven of spades and the nine of diamonds are now brought from the bottom of the pack to the top, and they will be in the following order: First, the top card, which is the seven of spades; second, the nine of diamonds; and third and last, the ten of hearts.

The three Jack of clubs are on the table, faces down.

"So far," says the performer, "my endeavors have come to naught." Then turning to one of the audience, he says, "Perhaps this gentleman may be more successful. Will you, sir, be good enough to select one of those cards that are on the table?" The performer picks up the one that is pointed out, and shows it to be the Jack of clubs. As he is putting it back on the table he exchanges it, by the bottom change for the top card, the seven of spades. Then a second card is selected and that proves to be a Jack of clubs. "That's very remarkable," he says, "the Jack of clubs has evidently come to life." While saying this he makes the exchange again, this time for the nine of diamonds, which he throws carelessly alongside the other card, face down. He then turns over the third card. "Jack of clubs again! Why, it seems to be nothing else," he says, and exchanging it this time by the top change for the ten of hearts, lays that on the table. As there can not be more than one Jack of clubs in the pack, the performer declares there must be a mistake somewhere, and asks some one to turn the cards over, and they prove to be the cards that were first shown, which were declared to be wrong. In the meanwhile the performer gets rid of the two bottom Jacks, and throws down the pack so that it may be examined.

The Color Change

2009-06-10T17:51:00.000+07:00

Oke friend i will give you some magic trick about The Color Change

By means of this sleight the bottom card of the pack, which the audience have seen only a moment before, is made to disappear or rather to be replaced by a card of a different color and suit.

Method 1. When this method is followed only the left hand is used.

Fig. 34

Fig. 35

Fig. 36

The pack is held in the left hand, faces toward the audience. The top card is reversed, that is, it is turned back to back with the other cards. To the audience it will appear as if the pack were lying face upward in the left hand. It is held with the face of this one card toward the audience and the fingers of the left hand arranged as follows: The forefinger is at the left bottom corner; the second and third fingers are along the bottom edge, and the little finger is behind the pack near the right bottom corner. The thumb is behind the pack with its ball against the hindmost card, as shown in Fig. 34. The pressure of the four fingers maintains the pack in a standing position. Now if the thumb presses gently against the hindmost card (really the first card of the pack), slides it up and over the other cards, the top of the pack serving as a pivot, and then presses it down (see Fig. 35), it will come over and cover the face of the reversed card. The fingers help it into position, and if the entire movement be accompanied by an up and down motion of the hand, the operation will be imperceptible. Should the performer choose, he may repeat this change until every card that faces him has been exhausted, but it is not wise to do this more than four or five times.

Method 2. The pack is divided in two, and the cards are held so that one packet covers the other about half way. The faces of both packets are toward the audience, with the exception of the front card of the upper packet which is reversed, as in Fig. 36. To the audience it will appear as if the cards of the packets face in opposite directions. The cards are held in the left hand as in the illustration. The pack is now covered with the right hand and with the first finger of the left hand the back card of the upper packet is pushed down. This card will now cover the card of the lower packet that was in sight, and it will appear as if the face of the card had changed in some mysterious way. Even if the audience imagine that a card from the upper packet was brought down they will soon abandon that idea since they suppose the cards of the upper packet face the other way, and pushing one down would bring it with its back to them.

Method 3. In this the pack is held in the left hand, the faces toward the audience, the fingers on the top, the thumb on the bottom, and the little finger at the back, as in Fig. 37. The right hand, perfectly straight, is brought in front of the pack, the tips of the fingers of the left hand resting on it, as in Fig. 38. The pack, which is held between the forefinger and thumb of the left hand, is now turned round. The little finger which presses against the back card prevents that card from turning also, and it is kept in position and pressed forward into the palm of the right hand. The second and third fingers of the left hand, which are on top of this card, keep it down so that its upper edge does not show above the right hand. (See Fig. 39.) In the illustration the card is shown to make this explanation clearer, but it must always be kept so that the audience can not see it, being pushed down by the second and third fingers into the palm of the right hand.

Fig. 37

Fig. 38

The pack in the left hand has the thumb on top and the three fingers below, while the little finger presses the card against the palm of the right hand. The right hand is just below the pack. (See Fig. 40.)

When the right hand is now brought upward with a sliding motion over the pack it leaves the card which is in its palm on the pace of the pack.

Fig. 39

Fig. 40

Fig. 41

Method 4. While very simple, there is no better method of making the color change than the following: The performer holds the pack horizontally in his left hand, the thumb at the upper side, the fingers at the lower. The cards face toward the audience, as shown in Fig. 41. Holding the pack in this way, the palm of the right hand is turned outward so that every one may see it is empty. Then, as if to show that no cards are concealed in the left hand, the performer passes the pack to the right hand, taking it, the faces toward his palm, with the thumb at the lower corner of the end near the wrist, the forefinger at the lower corner of the opposite end. When the left hand has been shown to be empty the performer passes the pack back again to that hand, which seizes the cards with the thumb at their upper sides and the fingers at the lower, in the position they were held at first. At the same moment, or may be just a fraction of a second before, the tips of the second and third fingers of the left hand push the back card of the pack down and into the right palm. The right hand is now brought over the face of the pack, and the palmed card is left there.

Care must be taken that the fingers of the right hand are kept close together, so that when the card is palmed it will not show itself above the first finger. Instead of palming the card in the orthodox way, the "clip," may be used. The moment the pack is to be replaced in the left hand the hindmost card, as in the first instance, is pushed downward, but this time between the root of the third and little fingers of the right hand which clutch it at the lower right hand corner. The pack in the left hand is held as at the start. The right hand, which must be held perfectly straight, is removed a little way from the pack. It then covers the pack and with a sliding motion leaves the card it holds at the front of the pack.

Method 5. In this method the pack is held almost horizontally in the left hand, the thumb on the upper side, the second, third, and little fingers on the lower; the forefinger is at the back of the pack. The performer shows his right hand to be empty, and with it covers the front card of the pack. As he does this, his left forefinger slightly frees the upper edge of the back card, by picking at it, and then pushes the card backward into the fork of the thumb and forefinger of the right hand, where it is secured by clipping it, care being taken that the card does not show above the first finger. The hand, which is held perfectly straight, deposits the card over the face of the first card as it passes over. The color change is made.

This color change may also be made when a thin elastic band is placed crosswise around the pack, thereby precluding the idea that the card is taken from the back of the pack and placed on the front or taken away from the front. On three or more cards a black line is drawn on the face lengthwise and another crosswise with ink, while on the back of the cards only a line lengthwise is made (See illustrations, Figs. 42 and 43).

Fig. 42

Fig. 43

When the bonafide color change has been made two or three times, the prepared cards are secretly added to the back of the pack. A thin elastic band worn black by use and large enough to go crosswise around the pack is placed first, lengthwise around the pack without including the prepared cards. To do this so that it will not be noticed, the pack should stand on its long edge in the left hand, with the face toward the audience, the little finger dividing the prepared cards from the pack. The band is now stretched and placed crosswise around both the pack and the prepared cards. The pack may now be thrown in the air and shown back and front as the inked line on the back will be taken for an elastic. The color change in the last method may be made as the elastic will in nowise prevent cards being pushed downwards with the left forefinger and being placed in the front of the pack with the right. All the prepared cards may be changed from back to front of pack.

The Prearranged Pack

2009-06-10T17:50:00.001+07:00

Oke friend i will give you some magic trick about The Prearranged Pack

Difficult as most card tricks are there are certain others that may almost be said to do themselves, and yet are by no means to be despised.

There is little, if any, sleight of hand called into play, the essentials being a clear head, a good memory, a prearranged pack of cards, and some practice. The cards are not mechanical affairs, but an ordinary pack, discarding the "joker," arranged in a certain order. The better to remember this order, resort is had to a sentence made up of words having almost the same sound as the numbers they represent. The preparation of this sentence may be left to the ingenuity of the performer, or the following may be used.

4 Four

9 benign

king kings

ace won

10 a tender

6 sick

jack knave

53 fifty-three

8 hated

queen queens

2 to

7 save.

Fig. 33 The above diagram shows the arrangement of the prepared pack.

This is not very brilliant verse, nor is it clearer than some of Lewis Carroll's lines, and yet it answers its purpose admirably.

So much for the numbers, or spot values, of the cards. As it would not do to have all of one suit together, they also are arranged, say, as follows: spades, hearts, clubs, and diamonds, and the more easily to remember this sequence, we bear in mind that the four consonants of the words "SHow CoDe," here printed in capitals, represent the order of the suits.

To prepare the pack, we begin by laying the four of spades, face upward, on the table. On top of this place the nine of hearts, next the king of clubs, and then the ace of diamonds. We proceed in this way with the rest of the pack, always following the values as suggested by the formula and the suits as laid down in the "SHow CoDe." The accompanying diagram may help the inexperienced in arranging the pack. When the cards are all laid out it will be found that every fourth card is of the same suit, every second card the other suit of the same color, and every thirteenth card is of the same spot value and of the next suit in the order of suits.

When these instructions on the arrangement of the pack are thoroughly mastered, it is surprising what an expert performer at cards the merest tyro may become.

This pack may be cut (not shuffled) as often as desired without disturbing its order in the least, and when cut four or five times in quick succession it will appear as if the cards are thoroughly mixed. To still further mislead the audience, the performer may resort to the false shuffle.

Now for the wonders that may be worked with this pack.

The performer requests some man or boy to empty the breast-pocket of his coat. Then placing the pack behind his own back, he asks the one who is assisting to draw one card and, without looking at it, to put it into the empty pocket. As soon as this is done the performer inserts the little finger of his left hand at the place in the pack from which the card was taken, and, without disarranging the order of the cards in any way, cuts the pack at that place, putting the upper part under the lower, in fact, making the pass. Bringing the pack in front of him, and getting sight of the bottom card, he recalls the memorized formula and will know almost immediately which card was drawn, for it must be the one that comes just after the bottom card of the pack. For example: should the nine of diamonds be drawn, and the pack be cut as directed, the bottom card will be the four of clubs. "Clubs," the performer says to himself "are followed by diamonds and four by nine." Turning to the one who has the card in his pocket, the performer says: "There are two colors in a pack, red and black. Which do you choose?" Should the answer be red, the performer says: "Red, be it." If, on the contrary, the answer be black, the performer simply says: "You take the black? Very well; then I shall use the red." This system of forcing, by always interpreting the answer to suit the purpose of the performer, is followed throughout the trick, and is rarely detected by the unsuspecting audience, as a long experience proves. The next question of the performer is: "There are two red cards, diamonds and hearts. Which do you choose?" A slight emphasis on diamonds will generally cause that suit to be mentioned, but should the answer be hearts, then the performer, following his forcing method, says: "You choose hearts? Very well; then I have diamonds." Continuing, the next question is: "Let us divide the thirteen cards of that suit into two, say, the ace, king, queen, jack, ten, nine, and eight in one part, and the deuce, trey, four, five, six, and seven in another. Now which do you choose?" And no matter which is mentioned, the first pack is used for the trick. Again and again the pack is divided until at last but two remain, and of the two the nine is chosen by the performer, who says: "There is now only one card remaining, thenine of diamonds. Take it from your pocket, please." Which is done.

Another mystifying trick is that of calling for the cards that some one has selected at random.

Having gone through the pretense of shuffling the cards, the performer offers the pack, without letting it leave his hands, to one of the audience with the request that it be cut. This done, he takes the upper portion in his right hand, and holding the lower part in his left he extends it to the one who made the cut with the remark, "As it would be impossible for me to know what these cards are, will you be good enough to take as many as you wish, without letting me see them?

"I would suggest," he continues, "with a view to saving time, that you select only seven or eight, but that is not material. Take as many as you please." As soon as the cards are drawn, which must be in a lump from the top, not from different parts of the pack, the left hand pack is placed on the other and the performer gets sight of the bottom card. "Now, sir," he says, "how many cards have you?" and as he knows the card that follows the bottom card, he begins to ask for them in their routine until all are handed to him. It is not even necessary for him to ask how many cards are drawn, for by slightly raising the inner corner of the top card with the left thumb and getting a glimpse of its index he knows the number almost immediately. There is little danger that this will be noted by the audience, for their attention will be fixed on the one who has drawn the cards.

When, by continued practice, the performer has become proficient in the handling of this prearranged pack, he may give further evidence of his skill by telling the name of the card that will be found at any number in the pack; and for this the bottom card is the key, and to begin the first thing is to find the suit. This is learned by dividing the number called for by four. If there be no remainder the suit is the same as that of the card at the bottom of the pack. If the remainder be one, it is the next suit in the arranged order; if the remainder be two, it is the second suit in the order, or the other suit of the color of the bottom card, and if the remainder be three it is the third suit in the order. When the suit is known, which takes a moment only to learn, the performer mentally divides the number called for by thirteen, which is the number of cards in each suit. That is easily done when one reflects that thirteen goes into twenty-six, thirty-nine, and fifty-two (the number of cards in a pack) without a remainder. In dividing the number called for by thirteen, should there be no remainder the spot value of the card is the same as the bottom card, though this rarely happens. When there is a remainder, count over mentally in the prearranged order (four, nine, king, etc.), beginning with the top card of the pack, and when as many cards are counted as equal the number of the remainder, the last card will have the same spot value as the card that is called for. To illustrate this, let us suppose that the bottom card of the pack is the seven of hearts, and the thirtieth card is called for. Dividing thirty by four we find a remainder of two, by which we know that the card is a diamond. Dividing thirty by thirteen, the remainder is four. In the order of the formula, after the bottom card, which is a seven, comes the four, the nine, the king, and, finally, the ace, so it follows that the thirtieth card from the top is an ace, and consequently the asked for card is the ace of diamonds. To prove this, try it with a prearranged pack.

It is always a great mistake to repeat a trick that has impressed an audience; of course, the professional is not called on to do this, but the amateur will frequently find himself urged to "do it again." As to refuse might seem ungracious, the young magician ought, whenever possible, to have another similar trick to present that is effected by entirely different means.

With the trick just described it frequently happens that the performer has no sooner told that the thirtieth card (in this case) is the ace of diamondsthan some one will call out another number. "It is as easy to tell one number as another," says the performer, "and it would be merely a repetition of what I have just done. Let me show you the same trick in a different form. If some one will call the name of a card I will tell him what number it will be found in the pack. Now, who speaks? You, sir? The deuce of clubs? Certainly; that is the twenty-fifth card, as we shall see." He counts off the cards, laying them face down on the table, and when he reaches the twenty-fifth card, he turns it face upward, and, sure enough, it is the wished for card.

To gain this knowledge the performer, to begin, must know the location number of the first card which corresponds in the number of spots to that of the card called for. Glancing at the bottom card, he counts mentally, beginning with the top card of the pack, until he reaches the card he is in search of. The number that this card holds in the pack, which must be less than thirteen, he divides by four. Should it be of the suit called for he need go no further, but simply announces that number as the one at which the card called for is located. But should the proper suit be the next in order, he adds thirteen to reach the proper number; if the suit be the second in order, he adds twenty-six, and if third in order he adds thirty-nine.

On the first reading this may not be perfectly clear, but to make it so, let the reader take an arranged pack, and suppose the deuce of clubs, already quoted, to be the card named, and the seven of hearts to be at the bottom of the pack. Begin to count with the top card, which will be the four of clubs; then the nine of diamonds, the kings of spades, the ace of hearts, the ten of clubs, the six of diamonds, the jack of spades, five of hearts, three of clubs, eight of diamonds, queen of spades, two of hearts—which is the twelfth card, but as the required suit, clubs, is next in order to hearts, thirteen must be added, and counting off the cards the twenty-fifth will prove to be the desired card.

Just here, let us say, that when doing a trick, whether of cards or anything else, the performer should never look at his hands, unless he wishes to direct attention to them. How then may we "glance at the bottom card of the pack," as directed in doing the foregoing trick? In this way: holding the pack across the palm of the left hand so that it may be raised just a trifle by pressing the thumb against the edges of the cards, the performer raises his hand almost on a level with his eyes, and extends his arm naturally and carelessly toward his audience, making, at the same time, some trifling remark, as, for instance, "Pretty tricks, these card-tricks, aren't they?" At this moment he sees the bottom card. Other methods will suggest themselves as one grows more proficient.

One more trick that may be done with the prepared pack, which is very easy: that is, professing to deal oneself all the trumps in a whist hand. It is simplicity itself. Have the pack cut for trumps in the usual way, and then deal out four hands on a table, the faces of the cards down. Let the fourth hand be the dealer's. When all the cards are dealt, turn up the dealer's hand, and it must, necessarily, be all trumps, since every fourth card is of the same suit. But do not, on any account, show the other hands, as they might reveal the whole secret of the trick

The Slide

2009-06-10T17:44:00.000+07:00

Oke friend i will give you some magic trick about The Slide

By this useful little sleight the card next following the one at the bottom of the pack is substituted for the bottom card.

The pack is held face down in the left hand, the thumb on one side, the fingers on the other. As the right hand approaches the pack, ostensibly to draw away the bottom card, the third finger of the left hand slides that card back about an inch toward the wrist. (See Fig. 29.) The thumb of the right hand is then placed against the pack and the forefinger under the now partly cleared card that is next to the one at the bottom. This card the forefinger draws out and with the help of the thumb it is removed from the pack. The audience imagine it is the bottom card, which they saw but a moment before. As soon as the card is removed, the forefinger of the left hand presses the front end of the pack and pushes it back to square it with the bottom card.

Fig. 29

Fig. 30

When practicing this sleight it is well to moisten slightly the tips of the third finger of the left hand and the forefinger of the right hand.

In the illustration the hand holds the pack so that the cards may be seen. This is done in order to give the reader a better idea of the position of the cards; in doing the trick, however, the pack is held with the faces downward, as in Fig. 30.

To Spring the Cards From One Hand to the Other

2009-06-10T17:18:00.000+07:00

Oke friend i will give you some magic trick about To Spring the Cards From One Hand to the Other

Hold the pack in the right hand, the thumb at one end, the first, second and third fingers at the other. Now by pressing the ends of the pack so that the thumb and fingers are brought toward one another (see Fig. 28), the cards will be bent and be inclined to spring from the hand. By continuing the pressure the cards will slide out from under the finger tips. The open left hand which must be held some inches below the right, must catch the cards as they fly downward and be brought up to the right hand, squaring up the pack. By practice the distance may be increased and the springing be made in a horizontal and also in an upward direction. Care must be taken not to follow the cards with the right hand to the left, as that will scatter them.

Fig. 27

Fig. 28

The False Count

2009-06-10T17:17:00.001+07:00

Oke friend i will give you some magic trick about The False Count

This is a very deceptive sleight. By it the conjurer leads his audience to suppose that he has many more cards in his hands than he really has. For example, let us suppose that the performer holds only six cards, while from the nature of his trick the audience believe he has eight.

He holds the pack in his left hand, backs up, and the front cards pointing in a slanting direction toward the stage. The first card is pushed by the thumb of the left hand into the right hand, the thumb of that hand drawing it away, and the hand itself moving away a trifle toward the right. Then the hands come together again and the next card is pushed off in the same way, falling on number one. Now the third card ought to follow, but at the very moment that the right hand is about to draw it away it is quickly drawn back by the left thumb on top of the cards in the left hand. The hands separate again, as in the case of the first two cards, as shown in Fig. 26.

Fig. 26

Bear in mind that the performer counts "one, two, three," etc., whether or not a card leaves the left hand. So, when he counts "three" this time, he has only two cards in his right hand. Then he continues "four," really counting a card into his hand; "five" (drawing back the card), "six, seven, eight." Apparently he has eight cards in his right hand, while in fact he has only six.

As there is always a sound when a card is drawn away, the performer is careful to imitate it when a false count is made by sliding his right thumb downward along the card just at the moment the left thumb draws it back.

If these instructions are carefully followed and the count is made deliberately the most astute observer will be deceived.

The Second Deal

2009-06-10T17:15:00.001+07:00

Oke friend i will give you some magic trick about The Second Deal

The object of this sleight, as its name implies, is to deal the second card of the pack, while, apparently, dealing the top card, which remains unchanged in its position after the deal.

The cards are held loosely in the left hand with the thumb on top of the pack, in the position usually adopted in dealing.

The left thumb pushes to the right the two top cards, so that they will be between the thumb and middle finger, the thumb on top of the first card and the tip of the middle finger under the second card. As the hands come together, the thumb and forefinger of the right hand grasp the two top cards, the thumb pushing the top card back to its original position on top of the pack, in which movement it is assisted by the left thumb. The right forefinger by a closing downward movement draws away the second card, which is now held between that finger and the thumb free from the pack. At the same moment the left hand moves back a little to the left.

The different movements must melt into one another, so to speak, and with a little practice, the most keeneyed observer will be deceived.

Fig. 25

It will greatly facilitate the proper working of this sleight, especially when it is to be repeated several times in immediate succession, if the little finger of the left hand is held as a rest or stop against the lower part of the pack. This will keep the cards safely together. See the illustration, Fig. 25.

Trick: To Force a Card

2009-06-10T17:08:00.000+07:00

Oke friend i will give you some magic trick about Trick: To Force a Card

By this very necessary artifice a performer induces one of his audience to select a particular card which is to be used in the course of a trick.

Fig. 24

Like all tricks it requires some practice, but above all it needs much audacity. The card to be forced is, at the beginning, either at the top or bottom of the pack. By means of the "pass" it is brought to about the middle of the pack, the tip of the little finger of the left hand being held on top of it. As the pack is offered to the person who is to draw, the cards are pushed one by one with the left thumb into the right hand apparently to afford the selection of any desired card. Just at the very moment that the card is to be taken the forced card must be almost at the finger tips of the one who is to draw, and be exposed, if possible, a trifle more than the other cards. (See Fig. 24). The unsuspecting victim will almost invariably draw that card.

If, by any chance, another card be drawn than the one the performer desired, he must not be disconcerted, but must try to force his card on some one else. With the first card drawn some minor trick may be performed, as, for instance, when the card is returned to the pack the performer passes it to the bottom and learns what it is. Then addressing the one who drew it, he says: "It would not be fair to use that card for the trick, as I chanced to catch sight of it." Then he names the card and proceeds with his trick. This ruse generally averts all suspicion.

Another Method of Shuffling a Pack Without Changing Its Order

2009-06-10T17:04:00.000+07:00

Oke friend iwill give you some magic trick about Another Method of Shuffling a Pack Without Changing Its OrderFig. 23

The pack is held in the left hand, the thumb on the top, the fingers at the bottom. The left thumb pushes a few cards into the right hand. Then the rest of the pack is placed in batches of five or six cards alternately above and below the cards in the right hand, but in the following way: The cards that go above are taken from the bottom of the pack, whilst those that go below are from the top. While there will be no difficulty in pushing the top cards of the pack below the packet in the right hand it will not be found so easy to push the cards from the bottom of the pack above those in the right hand. The difficulty may be overcome, however, by placing the right hand thumb against the right side of the pack while the left fingers push the bottom cards on top of the right hand packet. In this way the right thumb will act as a check, as shown in illustration, Fig. 23.

It only remains now for the performer to run his eye over the pack in order to find the card that was originally at the bottom, and making the pass at that point bring the pack back to the order in which it was first arranged.

Magic Trick: To Leave a Prearranged Pack Undisturbed While Seeming to Shuffle It Thoroughly

2009-06-10T16:39:00.001+07:00

Oke friend i will give you some magic trick about Magic Trick: To Leave a Prearranged Pack Undisturbed While Seeming to Shuffle It Thoroughly

The pack is held lengthwise in the right hand between the thumb at one end and the second and third fingers at the other, the forefinger bent over the upper side. The left hand, palm upward, is under the pack. The right hand drops a few cards from the top of the pack into the left hand, which places them at the bottom of the pack, where they are held by the right thumb, assisted by the second and third fingers, as shown in illustration, Fig. 22. Again the right hand drops some cards from the top into the left hand. Then the right hand appears to drop more cards in front of those in the left, but merely goes through the motion without dropping any. Then a few are really dropped but behind those in the left hand, and this is continued, pretending to drop them in front and really dropping them behind until all the cards in the right hand are used with the exception of the first parcel which is dropped in front (the top) of the pack.

Fig. 22

The pack is now in the order it was before the shuffle. To heighten the deception the cards in the left hand should be kept moving backward and forward. When cards are apparently dropped in front of the cards in the left hand, the left thumb pushes the cards already in the hand toward the fingers, and when cards are really dropped behind those in the left hand the fingers tilt them back toward the thumb. This tilting motion is continued until all the cards in the right hand are disposed of.

The Single Change

2009-06-10T16:06:00.000+07:00

Oke friend i will give you some magic trick about The Single Change

This is made without the help of the pack. It is useful when a selected card has been replaced in the pack and passed to the top, where it is still to remain though the pack is shuffled. The performer takes the two top cards, holding them so that they appear as one, and lays the pack on the table.

The cards, slightly bent inward so as to keep them together, are held up between the forefinger and the thumb, as shown in Fig. 20, and the audience are asked if they recognize the selected card. As they see only the card that was the second on the top and now conceals the selected card behind it, they are not slow to declare that the performer has made a mistake. Naturally he is somewhat crestfallen, but at once sets about remedying the mistake. Taking the card, face down, between the forefinger and thumb of his left hand, he gives it a fillip with the first finger of the right hand, and when the face of the card is shown again it proves to be the chosen card.

When the performer transfers the cards to his left hand, the thumb of that hand rests on the top card, while the fingers are on the bottom one. Then the thumb draws the top, the chosen, card into the left hand, while the fingers push the bottom card into the right hand, where it is palmed. See Fig. 21.

Fig. 20

Fig. 21

As the right hand is advanced to strike the card the fingers naturally contract or partly close, thus concealing the palmed card

The Bottom Change

2009-06-10T16:01:00.000+07:00

Oke frind i will give you some magic trick about The Bottom Change

In this change the card to be changed is left at the bottom of the pack instead of at the top. It is somewhat easier of execution than the top change, and has the advantage of being almost noiseless and the still greater advantage that instead of one card, two or more cards may be exchanged equally well.

The pack is held in the left hand, as in the top change. The card to be changed is in the right hand between the thumb and first finger. On its way to meet the left hand, however, the fingers are shifted. The first finger, which is below the card, is brought to the top to join the thumb, and, consequently, the card is held between the first and middle fingers. In this position the thumb and first finger can grasp the top card of the pack, while the card to be exchanged is brought to the bottom of the pack where the second, third, and little fingers of the left hand are extended to receive it. At the same moment the first finger of that hand, which is between the pack and the card which is substituted for the one that is to be exchanged, is brought to the bottom, as shown in the illustration, Fig. 18.

Fig. 18

Fig. 19

The Top Change

2009-06-10T15:59:00.000+07:00

Oke friend i will give you some magic trick about The Top Change

When the top card is to be changed the pack is held in the left hand, the thumb resting across the back and the fingers at the bottom. The card that is to be changed for the top card of the pack is held between the tips of the right hand thumb and the forefinger, the thumb on top of the card and the forefinger below it.

The hands are brought together for just a moment, and the left thumb pushes the top card of the pack an inch or so to the right. At the same time the card held in the right hand is laid on the top of the pack and slid back by the left thumb. At that moment the first and middle fingers of the right hand clip and carry off the original top card of the pack, as shown in Fig. 17. Care must be taken to bring the forefinger, which, with the thumb is on top of the card, to the bottom, thus replacing the second finger, so that the card will be between the thumb and forefinger. The slight noise which is unavoidable, must be reduced to a minimum, and as soon as the change is made the left hand is drawn away, but not too quickly, while the right hand is held motionless. The body must not be turned sideways to the left at the critical moment, nor should the hands be brought together suddenly and then separated in a jerky fashion, as if something were snatched away. The necessary moves ought to be made in a natural, careless way in the course of the remarks that accompany the trick. While it may seem that these moves will be apparent to every one, they are, in fact, almost imperceptible.

Fig. 17

The Card Palm

2009-06-10T15:55:00.001+07:00

Oke friend i will give you some magic trick about The Card Palm

By means of this sleight the performer is enabled to steal a card or cards from the pack without fear of detection and without even touching the pack with the right hand.

The pack is held in the left hand with the cards that are to be palmed lying on top. The thumb and third finger keep these cards in place and the little finger is under them. As the right hand approaches the left and is about three or four inches from it, the little finger pushes the cards up toward the right hand, the thumb and third finger relax their pressure, and the cards spring or shoot into the palm of the right hand, where they are retained by partly closing the hand. At the very moment the cards are palmed the left hand moves away slowly. This move which is known as "the spring palm" is absolutely imperceptible.

Should the performer wish to hand the pack to one of the audience with the right hand, in which the card is palmed, he places the left hand little finger under the card or cards that are to be palmed. The right hand grasps the pack between the thumb and the second finger, as if to make the "pass." The cards that are to be palmed are pushed by the left hand little finger into the right palm. Then the wrist of the left hand is turned outward, while the right hand grasping the pack at the left hand upper corner between the thumb and first finger hands it to the one who waits for it, as in Figs. 13 and 14.

Fig. 13

Fig. 14

Fig. 15

Fig. 16

“Diagonal” or “Dovetail” Pass

2009-06-10T15:53:00.000+07:00

Oke friend iwill give you some magic trick about “Diagonal” or “Dovetail” Pass

While used for the same purpose as the two-handed "pass," the manipulation of this "pass" is altogether different. By its means not only one card, but several cards in different parts of the pack may be brought together to be kept on the top of the pack.

Fig. 8

Fig. 9

Fig. 10

Let us suppose that several cards are selected by the audience. Holding the pack, as shown in Fig. 8, the performer presents it in turn to each one who has drawn a card, with a request that the selected card be placed in any part of it. He sees to it, however, that no card is pushed home entirely, but that about three-quarters of an inch of each protrudes from the pack. For this purpose the left thumb, which is on top of the pack, presses the cards together slightly.

The performer now places his right hand on top of the cards as if to push them flush with the others. What he really does, however, is to twist them to the left, by help of the thumb, first and little fingers, so that they are in the position shown in Fig. 9. The first finger then presses them downward as far as the left thumb, which is across the top of the pack, will allow. The cards are now in the position shown in Fig. 10.

Then the second, third, and little fingers of the left hand press against the side of the protruding part of the cards and straighten them flush with the rest of the pack, as shown in Fig. 11.

Fig. 11

Fig. 12

These movements must be blended into one and take up only a fraction of a second.

The right hand is now removed from the pack for a moment, ostensibly to show that the cards are well home in the pack, care being taken to conceal the protruding parts at the bottom. Then the right hand rests on the back of the pack, and the protruding cards are clipped at the left lower corner between the thumb and fore-finger of that hand, as shown in Fig. 12. The left hand is moved forward a little from the right which move separates from the rest of the pack the selected cards that are held between the thumb and forefinger and they are now placed on top of the pack. A slight upward motion of both hands will completely conceal any suspicious movement.

If the trick requires that the cards should be at the bottom of the pack they may be brought there by the two-handed "pass."

The Clip

2009-06-10T15:51:00.000+07:00

Oke friend iwill give you some magic trick about The Clip trick

The proper way of doing this is not so generally understood as the "pass" proper. The pack is held the same as for the "pass," and as soon as the selected card is replaced on the lower part of the pack the left thumb pushes the card a little toward the right, as shown in Fig. 6. At the same moment the pack is closed. The result is that the selected card protrudes about half an inch to the right. This can not be seen by the audience as the card is covered entirely by the right hand. The upper right hand corner of the card is now grasped between the base of the third and little fingers, the card is drawn entirely away from the pack and placed on the top or the bottom. By the same move the top card is brought to the bottom or the bottom one to the top.

Fig. 6

Magic Trick: The Pass

2009-06-09T21:02:00.000+07:00

Oke friend i will give you some magic trick

One of the foremost artifices resorted to in card conjuring is that known as the "pass," "shift," or sauter la coupe, as it is called in French. By this sleight a card which has been placed in the middle of the pack is transferred to either the top or the bottom without any one perceiving it. The position of two or more cards may be changed as readily as that of one card.

In order to do this the lower part of the pack on which a chosen card is placed must take the place of the upper part, which, in turn, goes to the bottom; in other words the positions of the two halves or portions are reversed.

When a card that has been selected is to be replaced in the pack, the performer opens the pack, as shown in Fig. 1. The card is received on the lower portion of the pack, which is then closed. In closing it, however, the tip of the little finger of the left hand is inserted between the two portions. The pack is now lying in the left hand in the position shown in Fig. 2, that is, with the thumb on the top of the pack and the fingers on the opposite side, the little finger dividing the pack in two.

Fig. 1

Fig. 2

Placing his right hand over his left, the performer grasps the lower portion of the pack between the thumb at the bottom and the second finger at the top, as in Fig. 3. The top packet which is now held by the fingers of the left hand, the little finger below and the other fingers on top, is drawn away by opening out the fingers, and when it is clear of the lower packet the fingers are closed again, bringing it thereby to the bottom. So that the two packets may clear each other in passing, the right side of the lower packet must be raised a little, as shown in Figs. 4 and 5. The part marked A in Fig. 4 presses steadily against the root of the left thumb. At BB it is held between the ball of the thumb and the second finger of the right hand. While in this position if the lower part of the left thumb exerts a pressure at A, the side CC will be raised, the thumb and second finger of the right hand at BB acting as pivots. The movements of the two packets must be simultaneous, and be made noiselessly. The right hand acts as a screen to hide the manipulations and should be held motionless. The pack is held at an angle of about forty-five degrees.

Fig. 3

Fig. 4

The manipulations should be practised before a mirror and slowly until the exact moves are reached, but until then speed ought not be sought.

Instead of opening the pack bookwise to receive the selected card, it may be spread out like a fan between the hands, and the little finger inserted when closing it.

Fig. 5

When it is desired to bring the selected card to the bottom of the pack instead of the top, the little finger of the left hand must be placed under the card.

The "pass" may be made with one hand, but as it is almost impossible to make it invisibly it is of little practical use, and need not be considered here.

There is still another method, an excellent one, whereby the position of a card is changed and it is brought from the middle of the pack to the top or the bottom or from the top to the bottom and vice versa. This is known as

Magic card trick

2009-06-09T21:00:00.000+07:00

Oke friend this is the image of my magic trick

$3.95


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The selected card appears from no where! Impressive ending to this trick.

d e t a i l e d d e s c r i p t i o n
Jon King offers you the chance to learn his Gotcha trick. The spectator selects a card, it is lost in the deck and then it appears under the box away from the original deck. It seems to just teleport under the box.

How does Jon do this? I watched this over and over, looking for the palm, looking for the slight but it is hard to spot. In fact you may never stop it.

Download this tutorial today and learn the move, learn the secret. This is a great finish to a trick and you could use it to end so many other tricks. First class! This trick has a difficulty rating of 3.

More Magic from this Magician
click a thumbnail for more information

	=	This trick is for everybody. You will be able to learn and perform this with a little bit of practice.
	=	The method to this trick should be quite simple but will need a bit of practice to perfect.
	=	This is an average difficulty trick. This may require some manual dexterity and will need practice.
	=	This trick may require more than average skills such as card control and co-ordination. Well worth the practice for the end result.
	=	This trick will need a lot of practice. They are usually slight of hand tricks that need to be perfected for the effect to work. They are the top end of magic and cannot fail to impress!

More Magic from this Magician

2009-06-09T20:58:00.000+07:00

Oke friend i will give you some magick trick

click a thumbnail for more information

	=	This trick is for everybody. You will be able to learn and perform this with a little bit of practice.
	=	The method to this trick should be quite simple but will need a bit of practice to perfect.
	=	This is an average difficulty trick. This may require some manual dexterity and will need practice.
	=	This trick may require more than average skills such as card control and co-ordination. Well worth the practice for the end result.
	=	This trick will need a lot of practice. They are usually slight of hand tricks that need to be perfected for the effect to work. They are the top end of magic and cannot fail to impress!

MAGICIAN'S LEVITATION

2009-06-09T20:50:00.000+07:00

Oke friend iwillgive you some magick trick

Imagine being able to levitate any playing card, borrowed paper currency or even a borrowed credit card at the spur of the moment.

The Magician's Levitation enables you to do exactly that! Levitation at anytime, anyplace. Even in the streets!

Resale Rights *

This particular item comes with full electronic resale rights.

That means you can sell it on your website, or use it as a giveaway with other products.

* This offer does not apply to other items on Download Magic

Cool Psychic Card Trick

2009-06-09T17:33:00.000+07:00

Oke friend i will give you some magic trick

The Magic Effect:

This magic trick with cards is set up as follows. 12 cards are placed face up on the table ( using any red and black cards from the deck ) in the same pattern you see in the diagram below here. You, the magician, tell someone to secretly pick any BLACK card. After telling them to make several secret random moves, you are able to tell them which card they have moved to.

The Magic Secret:

Tell your audience member to pick any black card. Tell them to next move UP or DOWN to the nearestRED card. Next, tell them to move LEFT or RIGHT to the nearest BLACK card. Next, tell them to move DIAGONALLY To the Nearest RED card. Finally, tell them to move UP or DOWN to the nearest BLACK card. If you follow these directions carefully, your audience member will always end up on the MIDDLE CARD ON THE BOTTOM ROW.

Abracadabra Card Trick

2009-06-09T17:18:00.000+07:00

This is a great self working card trick

Oke friend i will give you some magic trick

First performance: Take 21 cards and deal them out into three columns by dealing seven cards in each column. Deal three cards across for the first row, then another card on top of each for the next row, and so on until you have seven rows of cards in three columns for a total of 21 cards. Make sure you deal out each of the rows so you can still see the cards behind it.( See picture below)

Now have someone think of any card in one of the columns, and then tell you which column the card is in. Pick up one of the other columns, then the column he chose, and then the last column, so that the column with the chosen card is between the other two.

Deal them out again the same as before, and have your volunteer tell you which column the card is now in. Again, pick up the cards so that the column he pointed to is between the other two.

Repeat the process of dealing out the cards, having him tell you which column his card is now in, and picking up the cards so that the column with his card is between the other two columns. You have now done this three times, and it's time to find his card!

Hold the cards face down in your hand, as if you were going to deal them out again, but instead ask your volunteer if he has ever heard of the magic word ABRACADABRA. Say that not many people know it, but ABRACADABRA is a magic word for finding things, and that you'll show him what you mean.

Spell the word ABRACADABRA, and for each letter deal one of the cards face down on the table. When you reach the last "A", pause, and then turn over that card. It will be the chosen card! As long as you spell ABRACADABRA right, this trick will work everytime!

Cool Card Switch Trick

2009-06-09T17:17:00.000+07:00

Super Slick Jumping Card Trick. Easy To Master

Oke friend iw will give you some magic trick

Preparation: Before you start the card trick, find the two black 6's and the two black 9's. (The 6 of Spades, the 6 of Clubs, the 9 of Spades, and the 9 of Clubs.) Then, take the 6 of Spades and the 9 of Clubs and place one of them on the top of the deck and the other on the bottom. Keep the 6 of clubs and the 9 of spades separate.

Performance: Show the deck of cards to your spectator. (The person you are showing the card trick to.) Hold the 6 of clubs and the 9 of spades in front of the person. Ask them to tell you what cards they are. They will say the 6 of clubs and the 9 of spades, of course. Ask them if they are sure. They will say that they are sure. Then hold up either of the cards and ask them what card it is. After they respond, place that card in the middle of the deck. Now do the same with the other card.

Once both cards are inside the deck, place it down on the table and tell the person to tap the deck three times. After that ask them if they have any magic moon dust. If they say, no say you will loan them some and reach into your pocket and pretend to sprinkle dust on the cards. If they say yes, tell them there's no such thing as magic moon dust. Now rub your hands together and blow on them so your fingers are slightly moist. (This is important.)

Pick up the deck by putting your thumb on top and your other fingers on bottom. Hold the deck very lightly. Swing the deck back and forth, and on the third swing throw the deck to your other hand, but make sure you hold onto the top and bottom card. Your moistened fingers will help.

Finale: After all that, your victim will still remember the cards, but only vaguely. When you show them the 6 of spades and 9 of clubs that you "pre-placed" they will be astounded, unless they have an awesome memory.